Endless force XXXVIII (2024) 绘画 由 Minseok Kang

丙烯在帆布上, 13.8x25.7 in
US$1,381
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发货地: 韩国 (盒子或纸箱包装) 在2天
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美术纸, 6x12 in
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This work Endless Force visually expresses intense energy and the constant inner conflict in an abstract form. The appearance of two distorted cars, reminiscent of a decalcomania technique, symbolizes the competition between the artist and himself. It represents internal conflict and self-competition, highlighting the struggle to not lose oneself amidst [...]
This work Endless Force visually expresses intense energy and the constant inner conflict in an abstract form. The appearance of two distorted cars, reminiscent of a decalcomania technique, symbolizes the competition between the artist and himself. It represents internal conflict and self-competition, highlighting the struggle to not lose oneself amidst the continuous competition of modern society.

The two cars in the painting seem to obscure or scatter everything around them due to their overwhelming speed. This represents how we, in the pressure of modern society, rush toward ourselves. Speed and power are overwhelming, but the distorted and disintegrating self in the process reflects the inner turmoil and anxiety. The collision of fear, anxiety, anger, and desire scatters like fragments, symbolizing the uncertain future and instability of modern individuals.

This piece captures the instability of human existence and the relentless pursuit of self-discovery. The distorted forms collide with the essence of the inner self, and while everything around seems to be covered by speed, the journey to find oneself does not end. The "endless force" symbolizes this internal struggle, desire, and the human will to move beyond it.

相关主题

SpeedCompetitionInner ConflictDistorted CarPower

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Born in South Korea in 1980, I have been passionate about expressing myself through car paintings since childhood. I viewed racing cars as the greatest human artwork, and pursued fine arts at Dong-A University, [...]

Born in South Korea in 1980, I have been passionate about expressing myself through car paintings since childhood. I viewed racing cars as the greatest human artwork, and pursued fine arts at Dong-A University, earning a Bachelor's degree in 2007 and a Master's degree in 2010. Over time, my artwork shifted from emphasizing external car beauty to portraying my unique style, incorporating elements of time, space, relationships, and culture.

Currently, I depict distorted car shapes symbolizing the modern generation's pursuit of happiness and self-made paths amid fierce competition. Using acrylics, I employ a technique of scraping paint with a squeegee, and incorporate embroidery for artificial straight lines, speed, and temporal shapes.

Since 2023, I have delved into media art and 3D works via NFT art. In the 'Shape of Sweet Memories' project, I collect leftover paint fragments to create ice cream filmed in a video, then produce it as NFT art. Additionally, I engage in sculpture work.

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