To Dance in Unison (2024) 绘画 由 Marjolein Gamble

铅笔在纸上, 16.5x23.2 in
US$997   US$827
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  • 原创艺术品 (One Of A Kind) 绘画, 铅笔 / 水彩 在纸上
  • 外形尺寸 高度 16.5in, 宽度 23.2in
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I decided to bring in some perspective and this resulted in the possibility of a dance in unison in different directions in a playful way! 关于这件艺术品: 分类, 技术技巧 & 款式. 水彩. 水彩是一幅画,其中阿拉伯树胶结合透明颜料,露出画作的支撑。相同成分的水粉是不透明的。水彩是纸上的水性绘画。我们很少谈论一幅水彩画作品的绘画。水彩画被认为是一种使用水溶性颜料创造性地表现梦想、幻觉、情感和光感的独特方式。但是,用水彩绘画可能很困难。这是一种难以掌握的媒介,很大程度上是因为它可能是无情和不可预测的。错误难以纠正,其流动性使其难以控制。然而,正是这些品质赋予了媒体不可否认的魅力。. [...]
I decided to bring in some perspective and this resulted in the possibility of a dance in unison in different directions in a playful way!

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I was born and raised in The Netherlands soon after world-war two by two different families as my mother died when I was five years old. I arrived in Cape Town, alone, at the age of 17 in the middle of the sixties, [...]

I was born and raised in The Netherlands soon after world-war two by two different families as my mother died when I was five years old. I arrived in Cape Town, alone, at the age of 17 in the middle of the sixties, straight out of High School. I am still living here!

Most of my life I have taught children at both preprimary and preparatory level, which included a lot of arts and crafts. I developed creative moving toys with woodwork equipment and machinery with adults and disadvantaged youth over the years, much of it painted and with simple mechanical movements. I spent a year at Emerson College, (Sussex, U.K.) in 1974 learning woodwork and doing watercolor painting amongst other things.

I am, since 1996, teaching yoga in my own home-studio. In 2013 I started “carte-blanche” a design business using local African fabrics with the objective of creating work for local seamstresses and artisans. This came to an end with the Pandemic in early 2020. In 2016 I wrote and illustrated my own children’s story: “The little Lemon Tree that stood.”

After a lifetime of teaching others arts and crafts the Pandemic afforded me the opportunity to clear my “carte-blanche” studio and get back to my own artistic endeavours. I started with pencils (as I had designed bright blank cards and note-books in colourful pencil designs for “carte-blanche)”. It was a natural extension and new as I had done wood carving in the past.

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