Lease 画作 by Marjolein Gamble

通过购买选项租赁Marjolein Gamble的作品“ To Dance In Unison ”

Marjolein Gamble的画作可通过购买选项进行租赁

绘画 标题为“To Dance in Unison” 由Marjolein Gamble, 原创艺术品, 铅笔
To Dance in Unison (2024)
绘画 由 Marjolein Gamble - 16.5x23.2 in
US$996

选择您的每月还款额:

每月付款
€80.6+增值税
剩余价值
€26.3+增值税
节税
€298.68+增值税
总成本
€775+增值税
每月付款
€47.01+增值税
剩余价值
€26.3+增值税
节税
€321.48+增值税
总成本
€833+增值税
每月付款
€32.58+增值税
剩余价值
€26.3+增值税
节税
€334.31+增值税
总成本
€865+增值税
每月付款
€26.05+增值税
剩余价值
€26.3+增值税
节税
€356.25+增值税
总成本
€920+增值税
* 这只是一个指示性模拟。我们的财务合作伙伴研究您的支持文件并验证您的文件后,将向您发送合同提案。

索取租赁信息 "To Dance In Unison"

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常见问题

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

更多信息

To Dance in Unison (2024)
绘画 由 Marjolein Gamble - 16.5x23.2 in
绘画 标题为“To Dance in Unison” 由Marjolein Gamble, 原创艺术品, 铅笔

关于作者

关注
I was born and raised in The Netherlands soon after world-war two by two different families as my mother died when I was five years old. I arrived in Cape Town, alone, at the age of 17 in the middle of the sixties, [...]

I was born and raised in The Netherlands soon after world-war two by two different families as my mother died when I was five years old. I arrived in Cape Town, alone, at the age of 17 in the middle of the sixties, straight out of High School. I am still living here!

Most of my life I have taught children at both preprimary and preparatory level, which included a lot of arts and crafts. I developed creative moving toys with woodwork equipment and machinery with adults and disadvantaged youth over the years, much of it painted and with simple mechanical movements. I spent a year at Emerson College, (Sussex, U.K.) in 1974 learning woodwork and doing watercolor painting amongst other things.

I am, since 1996, teaching yoga in my own home-studio. In 2013 I started “carte-blanche” a design business using local African fabrics with the objective of creating work for local seamstresses and artisans. This came to an end with the Pandemic in early 2020. In 2016 I wrote and illustrated my own children’s story: “The little Lemon Tree that stood.”

After a lifetime of teaching others arts and crafts the Pandemic afforded me the opportunity to clear my “carte-blanche” studio and get back to my own artistic endeavours. I started with pencils (as I had designed bright blank cards and note-books in colourful pencil designs for “carte-blanche)”. It was a natural extension and new as I had done wood carving in the past.

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