"inuit circle of life" başlıklı Tablo Male Beauty Forum Lifestyle tarafından, Orijinal sanat, Petrol

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inuit circle of life (1982) Tablo Male Beauty Forum Lifestyle tarafından

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Orijinal sanat Tablo, Tuval tarihinde Petrol

Sanat eserleri sınıflandırması

Orijinal sanat

Orijinal sanat eserleri, bir sanatçının orijinal eserlerinin bir kopyası veya taklidi değil, otantik kabul edilen herhangi bir eserdir. Orijinal sanat eserleri, herhangi bir türde resim, heykel, performans veya diğer medya olabilir. Birçok orijinal medya türü vardır. Karışık ortam, yağlı, akrilik ve sulu boyaları içerir. Zanaatkarlığa tanıklık eden atölye resimlerinde bu nitelemenin daha incelikli olması gerekir. Çeşitli nedenlerle daha az değerli olsalar da, çoğaltmaların ve kopyaların deneyimimiz üzerinde büyük etkisi oldu. Orijinallerinden daha geniş bir kitleye ulaşırlar ve metalaşmaya karşı bir tonik görevi görürler. Orijinal eser , her zaman diğerlerinden önce gelen ilk esere de atıfta bulunabilir. Ayrıca başka çalışmaların yapılabileceği bir prototip veya modele de atıfta bulunabilir. Her eserin orijinaliyle büyük benzerlikleri vardır.
boyutlar Yükseklik 32in, Genişlik 48in
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Inuit Circle of life; depicts full family circle. With omni directional wolves with myself and Nancy Zak on a parallel plain with the raven on the crystal ball of Miz Etta Leblanc in the front right hand side.

Deep wild symbolist painting part of a series of 6 done at the same time 1982-1984...with the same pallet of colour, called the brilliant blues collection.

Extensive use of Shamanic visual Totemic symbols to narrate the double stories going on in this Claude Edwin Theriault painting.
The story on the surface and the story beneath the surface , the Tonal and the Nagual.

Cercle inuit de la vie; représente le cercle familial complet. Avec des loups omnidirectionnels avec moi-même et Nancy Zak sur une plaine parallèle avec le corbeau sur la boule de cristal de Miz Etta Leblanc dans la partie avant droite.

La peinture symboliste sauvage profonde fait partie d'une série de 6 faits à la même époque 1982-1984 ... avec la même palette de couleurs, appelée la collection de bleus brillants.

Bu sanat hakkında: sınıflandırma, Teknikler & Stiller

Petrol

Keten tohumu yağı veya karanfillere bağlı pigmentlerden oluşan boya. Geleneksel teknik, katı ve dayanıklı bir askı için gittikçe daha fazla yağ açısından zengin boya katmanlarının üst üste binmesinden oluşur.

Teknik Tablo

Resim, renkli sıvılar estetik olarak uygulanarak bir yüzey üzerinde resim yapma sanatıdır. Ressamlar kağıt, kaya, kanvas, ahşap, ağaç kabuğu, cam, beton ve diğer birçok yüzey gibi desteklerde çok kişisel bir ifadeyi temsil ediyor. Temsil veya icat çalışması, resim doğal ve mecazi ya da soyut olabilir. Anlatı, açıklayıcı, sembolik, manevi veya felsefi içeriğe sahip olabilir.

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Nova Scotia Artist Inuit Inspired Artwork Shamanic

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Several factors contribute to what makes good wall art, including:. 1. Visual Appeal - Wall art should be visually appealing and engaging. This means that it should have an interesting composition, use of color, [...]

Several factors contribute to what makes good wall art, including:

1. Visual Appeal - Wall art should be visually appealing and engaging. This means that it should have an interesting composition, use of color, texture, and pattern that draws the viewer's eye.

2. Emotional Connection - The best wall art often creates an emotional connection with the viewer. It might evoke a feeling of joy, nostalgia, inspiration, or contemplation.

3. Quality - High-quality wall art should be well-made with attention to detail. This includes quality materials, a durable frame, and precise printing or painting techniques.

4. Theme and Style - Wall art should be cohesive with the theme and style of the space it is being displayed in. This means considering factors such as the color scheme, furniture style, and overall mood of the room.

Ultimately it comes down to each individual's taste; and what they like to see in their living environment.

The Shamanic Journeying-inspired artwork surface is where you tend to look when you first gaze at the work; however, there is more to it than meets the eye: since another story/narrative is going on behind the surface.
I use archetypes more robustly as universal, archaic patterns and images that derive from the collective unconscious.

I keep a visual diary about how I feel about things in graphic form instead of words/text.

Every image is many months of long digestion of an idea that goes to drawing, then mostly painting format. A form of Coin mining of Intellectual property., on the Ethereum Blockchain via smart contracts.
My way of Surrendering the ego and all the connections to the ego; is that it represents the conscious mind, while the personal unconscious contains a wealth of memories I can tap into like all other artist types. Memories like totemic, which I like a lot and have always had near me; all of which can serve as an excellent source for a topic in the visual narrative I use
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And yes, the collective unconscious is a unique component since it is part of the psyche reservoir that can serve an artist with a form of psychological inheritance shared by the collective psyche of humankind..... deep but true.

In the trending Nova Scotia Artist Gallery of French Acadian painter Claude Edwin Theriault, there is an extensive collection of artworks from 1980-present.

I use mostly Male Nudes; they are my standard animal totem Icon visual prop. I use them a lot in my visual narrative; however, a large part has re-occurring Allies like Owl, Cheetah, Sea-Horse, Raven, to the snake in the Hylas and Hades underworld artworks found here online. Oil paintings, silkscreens, etchings, lithographs, and drawings are in all mediums.

All illustrate a Shamanic narrative in a visual language instead of the written one. Something the new Digerati Intellect can appreciate.

Initially inspired by the ...first Nations artwork style you see in Abeam of Cape Blomidon's Sleeping Haida Moon/ to the current Shamanic symbolist style ...