Nefertiti.jpg Painting by Line Bautista

Not For Sale

Seller Line Bautista

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$34.22
Usage: Web Licence
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  1027 px  

1500 px
Dimensions of the file (px) 1027x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
Products intended for sale No
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Art image bank
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Mounted on Cardboard
This artwork appears in 4 collections
NEFERTITI. La belle est venue. "La beauté séduit la chair pour obtenir la permission de passer jusqu'à l'âme". Simone Weil. Technique mixte sur toile. Dimensions : 37x55 cm. Toile encadrée d'un magnifique cadre en bois scupté à la main. Dimensions totales : 50x70 cm. NEFERTITI. The beautiful has come. "Beauty seduces the flesh to obtain permission [...]
NEFERTITI

La belle est venue
"La beauté séduit la chair pour obtenir la permission de passer jusqu'à l'âme"
Simone Weil
Technique mixte sur toile
Dimensions : 37x55 cm
Toile encadrée d'un magnifique cadre en bois scupté à la main
Dimensions totales : 50x70 cm

NEFERTITI

The beautiful has come
"Beauty seduces the flesh to obtain permission to pass to the soul"
Simone Weil
Mixed media on canvas
Dimension: 50x70cm
Table framed by a thick and wide wooden frame carved by an artist for this painting.

NEFERTITI

Lo bello ha venido.
"La belleza seduce a la carne para obtener permiso para pasar al alma"
Simone weil
Técnica mixta sobre lienzo.
Dimensión: 50x70cm
Mesa enmarcada por un marco de madera grueso y ancho tallado por un artista para esta pintura.

Related themes

NéfertitiNefertiti Line BautistaPortrait De NefertitiLa Belle Est VenueLa Belle Nefertiti

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Line BAUTISTA is a self-educated painter; It directs its first work towards abstract or semi-abstract painting. The feature is sharp to see incisive. Sometimes hot or cold colors, these fabrics are then an unrestrained [...]

Line BAUTISTA is a self-educated painter; It directs its first work towards abstract or semi-abstract painting. The feature is sharp to see incisive. Sometimes hot or cold colors, these fabrics are then an unrestrained search towards the depth and the transparency. A little later but in parallel, this work concentrates on subjects of the everyday life and its clean questioning on the existence. Sometimes interrogative or committed, sometimes humorous and ridiculous, it is a violent tenderness which seizes certain fabrics to become a coloured criticism of a world painting in grisaille. The forms cubic, geometrical, free or are calculated; She likes to use the technique of the cloisonnism and to treat the topics which touch it in the form of posters (affichism) with or without text.
Its fabrics can take on a committed or poetic dimension then. It is defined before just like a free artist.

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