GITANO (2018) Painting by Line Bautista

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Seller Line Bautista

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  761 px  

1500 px
Dimensions of the file (px) 761x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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Art image bank
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Mounted on Wood Stretcher frame
This artwork appears in 7 collections
GITAN. "Je chante les plaies de mon peuple persécuté et son exil au nom de la liberté". Technique : Acrylique sur toile. Format : 100x50 cm. GITANO. "Canto las heridas de mi pueblo persegido y su exilo en nombre de la libertad". Técnica: Acrílico sobre lienzo. Dimensión: 100x50 cm. GYPSY. "I sing the plagues of my persecuted people and their exile [...]
GITAN

"Je chante les plaies de mon peuple persécuté et son exil au nom de la liberté"
Technique : Acrylique sur toile
Format : 100x50 cm

GITANO

"Canto las heridas de mi pueblo persegido y su exilo en nombre de la libertad"
Técnica: Acrílico sobre lienzo.
Dimensión: 100x50 cm

GYPSY

"I sing the plagues of my persecuted people and their exile in the name of freedom"
Technique: Acrylic on canvas
size: 100x50 cm

Related themes

Gitano Line BautistaLine Bautista PeintreLe Peuple GitanGitan Et Sa GuitareGitano Con Sus Guitara

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Line BAUTISTA is a self-educated painter; It directs its first work towards abstract or semi-abstract painting. The feature is sharp to see incisive. Sometimes hot or cold colors, these fabrics are then an unrestrained [...]

Line BAUTISTA is a self-educated painter; It directs its first work towards abstract or semi-abstract painting. The feature is sharp to see incisive. Sometimes hot or cold colors, these fabrics are then an unrestrained search towards the depth and the transparency. A little later but in parallel, this work concentrates on subjects of the everyday life and its clean questioning on the existence. Sometimes interrogative or committed, sometimes humorous and ridiculous, it is a violent tenderness which seizes certain fabrics to become a coloured criticism of a world painting in grisaille. The forms cubic, geometrical, free or are calculated; She likes to use the technique of the cloisonnism and to treat the topics which touch it in the form of posters (affichism) with or without text.
Its fabrics can take on a committed or poetic dimension then. It is defined before just like a free artist.

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