"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine prints-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Classicism
The model, John McCulloch (Instagram - johnmcmodel) is a well-known life-model and actor in Melbourne. His surname doesn't start with H as indicated on the drawing. I didn't know him in 2018, but in February 2020, he modelled for a painting class that I was taking and I recognised him from my earlier 2018 drawing session. My own kids loved the 1990s children's TV series, Round The Twist (Series 2 Ep.8) where John's the grandfather in the photo at the beginning.
Before Covid19 and if I wasn't teaching, I attended life drawing sessions once a month at the Community Centre. I usually draw on large sheets of paper, but I took my Samsung tablet into the session on this day. I wanted to experiment with a smaller drawing format, and to use the free children's app that I had downloaded. Both drawings were completed using a barbed-wire effect brush found on the app.
I am right-handed (only my father and I are righted handed between my parents and siblings in my family) and so I completed the drawing with my pointer finger on this hand. Just a note: I sometimes like to use my left hand to introduce a "rawness" to my work.
Related themes
Linda SchneiderBox Hill Community Arts CentreJohn MelbourneLife DrawingMale Model
I grew up on a mixed farm, until I went to high school aged 11 in the Wimmera district in Victoria Australia. At high school, unable to timetable both Art and Math, I studied the latter by correspondence in the school library. I was not very disciplined and spent most of my time looking through Art books. Later, I completed a Diploma in Fine Art (Painting), and a Graduate Diploma (Sculpture). Wanting to travel, I gained further qualifications in teaching, linguistics, and languages.
My work is largely auto-biographical and incorporates elements of my history and my future goals – even before I am consciously aware of these goals or historical references myself. I am currently drawing with a variety of mark-making media, and painting in both acrylic and oils.
I believe that practice, and physiological and mental predispositions, combined with life and incidental circumstances, confirm the direction and so-called talent of any individual. As humans who have evolved and endured, we sought patterns in nature which helped our species to survive. Now we revive those patterns in our culture. We see relationships everywhere; in nature, mathematics, science, storytelling, music and in the visual arts etc. We often are unconsciously aware of these patterns.
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Nationality:
AUSTRALIA
- Date of birth : 1957
- Artistic domains:
- Groups: Contemporary Australian Artists
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