Lia Chechelashvili
Georgian artist Lia Chechelashvili’s minimalist art is her signature in my opinion. These works will stand the test of time in their modern expression of movement in contemporary intimate human relationships with other people, with activities, with objects.
Simplicity speaks volumes in these works, potently emotive and vigorously insightful. The viewer feels the movement, the very air and potency of the moment. As if a voyeur, one watches subtle interplays, imagined in the mind by suggestion in each arc and vector, each fabulously conceived line and curve.
Marvelous. I can see these…feel these wonderful works gracing the halls a music school, a dance school, a wonderfully intimate social lounge, the hallowed halls of a respected university…and my own music room. Can’t you feel them, too?
Artist, writer, musician D. L. Keur
“The Art of Lia Chechelashvili”, Art Reviews by D. L. Keur, 23/07/2007
Discover contemporary artworks by Lia Chechelashvili, browse recent artworks and buy online. Categories: georgian contemporary artists. Artistic domains: Painting, Digital Arts. Account type: Artist , member since 2003 (Country of origin Georgia). Buy Lia Chechelashvili's latest works on Artmajeur: Discover great art by contemporary artist Lia Chechelashvili. Browse artworks, buy original art or high end prints.
Artist Value, Biography, Artist's studio:
my lineworks (gouache, acrylic, paint-markers) • 63 artworks
View allmy paintings (oil, gouache, tempera) and drawings (pencil) • 50 artworks
View allmy digitally embellished drawings (monochromatic) • 45 artworks
View allmy digitally embellished drawings • 57 artworks
View allRecognition
Biography
Georgian artist Lia Chechelashvili’s minimalist art is her signature in my opinion. These works will stand the test of time in their modern expression of movement in contemporary intimate human relationships with other people, with activities, with objects.
Simplicity speaks volumes in these works, potently emotive and vigorously insightful. The viewer feels the movement, the very air and potency of the moment. As if a voyeur, one watches subtle interplays, imagined in the mind by suggestion in each arc and vector, each fabulously conceived line and curve.
Marvelous. I can see these…feel these wonderful works gracing the halls a music school, a dance school, a wonderfully intimate social lounge, the hallowed halls of a respected university…and my own music room. Can’t you feel them, too?
Artist, writer, musician D. L. Keur
“The Art of Lia Chechelashvili”, Art Reviews by D. L. Keur, 23/07/2007
- Nationality: GEORGIA
- Date of birth : 1971
- Artistic domains:
- Groups: Georgian Contemporary Artists
Influences
Education
Artist value certified
Achievements
Activity on Artmajeur
Latest News
All the latest news from contemporary artist Lia Chechelashvili
Expos Collective (Listing)
Group exhibition " New Colours ", International company "Anima" presents self-educated painters, “Modern Art Gallery”, Tbilisi; November, 1993;
Group exhibition in "World Fine Art Gallery", Chelsea, New York; February 3-28, 2004
Group exhibition "Urbanscene" in Primo Piano Gallery, Lecce, Italy; May29-June20, 2004
Group exhibition "Summer2004" in , Barcelona, Spain; June 4-30, 2004
Participation in "Salon International de St Jean de Monts" at Palais des Congrès de St Jean de Monts, France; July 17-29, 2004
Group exhibition "A history of conflict-a future of hope" in Frazier Museum, Louisville, Kentucky, USA; September1-October7, 2004
Group exhibition in Sala Barna, Barcelona, Spain, October 1-20, 2004.
Group exhibition at Galerie Natalie Boldyreff, Paris, France, October-December 2005.
Participation in Salon d'Automne 2005 which took place at Parc Floral de Paris, from 20 till 30 October, 2005, Paris, France.
Participation in biennale “EMMA 2007”, European Masters of Modern Art, which took place in historical water-castle in Burgau, Austria, from 14 April till 5 May 2007.
Group exhibition at “Infusion Gallery”, Los Angeles, California, February 2008.
Group exhibition “Mint Green” at the Attic, New Delhi, India, from 28 September till 8 October 2008.
Participation in International Art Exhibition on the wonders of music "Symphony of Art&Music", Olpadwala Hall, Kolkata, India, August 2009.
Group exhibition at Galeria d’Art i Disseny Patricia Muñoz, Sabadell, Barcelona, Spain, from 25 October till 10 November, 2010.
Group exhibition “Snap to Grid” at Los Angeles Center of Digital Art, Los Angeles, California, from 11 November till 4 December, 2010.
Participation in FAIM Art 2010 - Feria de Arte Independiente de Madrid, Palacio de Congresos y Exposiciones de Madrid, Madrid, Spain, 25-28 November, 2010.
Participation in Parallax Art Fair, at La Galleria, Royal Opera Arcade, Pall Mall, London, UK,
20-22 October, 2011.
Participation in Fountain Art Fair, Miami, USA, 1-4 December, 2011.
Participation in IFAA Art Festival 2012, at Pritamlal Dua Art Gallery, Indore, India, 6-8 January,
2012.
Article
KaraArt Silver Award, March 2004.
Finalist of online juried art competition "No Limit 2004" at Artrom gallery, June 2004.
Artmajeur Silver Award, May 2004.
Winner of the “Nudes of the month” contest at , June 2007.
Distinction Prize of 2007 contest.
Expos Solo (Listing)
Solo exhibition in Old gallery, Tbilisi, March 1995.
Solo exhibition in " Old Gallery ", Tbilisi; January, 1999.
Solo exhibition "Interactions" in “ Gallery”, Mallorca, August 23 - September 17, 2003.
Solo exhibition at “New Art Café”, Tbilisi, Georgia, November 2009.
Article
Artistic education : self-taught.
Exhibitions : Group exhibition “New Colours“, International company “Anima“ presents
self-educated painters in Modern art gallery, Tbilisi, November 1993.
Solo exhibition in Old gallery, Tbilisi, March 1995.
Solo exhibition in Old gallery, Tbilisi, January 1999.
Solo exhibition “Interactions” in Art-Domain gallery, Port d’Andratx,
Mallorca, Spain, September 2003.
Group exhibition in World Fine Art gallery, Chelsea, New York,
February 2004.
Group exhibition “Urbanscene” in Primo Piano Living gallery, Lecce, Italy,
June 2004.
Group exhibition “Summer2004” in Galeriazero, Barcelona, Spain,
June 2004.
Participation in Salon International de St Jean de Monts at Palais des Congrès de
St Jean de Monts, France, July 2004.
Group exhibition “A History of Conflict-A future of Hope” in Frazier Museum,
Louisville, Kentucky, USA, September 2004.
Group exhibition at Sala Barna, Barcelona, Spain, October 2004.
Group exhibition at Galerie Natalie Boldyreff, Paris, France, October 2005.
Participation in Salon d'Automne 2005 which took place at Parc Floral de Paris,
from 20 till 30 October; Paris, France, 2005.
Participation in biennale “EMMA 2007”, European Masters of Modern Art, which
took place in historical water-castle in Burgau, Austria, from 14 April till 5 May
2007.
Group exhibition at “Infusion Gallery”, Los Angeles, California, February 2008.
Group exhibition “Mint Green” at the Attic, New Delhi, India, from 28 September
till 8 October 2008.
Participation in International Art Exhibition on the wonders of music "Symphony
of Art&Music", Olpadwala Hall, Kolkata, India, August 2009.
Solo exhibition at “New Art Café”, Tbilisi, Georgia, November 2009.
Group exhibition at Galeria d’Art i Disseny Patricia Muñoz, Sabadell, Barcelona, Spain,
from 25 October till 10 November, 2010.
Group exhibition “Snap to Grid” at Los Angeles Center of Digital Art, Los Angeles,
California, from 11 November till 4 December, 2010.
Participation in FAIM Art 2010 - Feria de Arte Independiente de Madrid, Palacio de
Congresos y Exposiciones de Madrid, Madrid, Spain, 25-28 November, 2010.
Participation in Parallax Art Fair, at La Galleria, Royal Opera Arcade, Pall Mall,
London, UK, 20-22 October, 2011.
Participation in Fountain Art Fair, Miami, USA, 1-4 December, 2011.
Participation in IFAA Art Festival 2012, at Pritamlal Dua Art Gallery, Indore, India, 6-8
January, 2012.
Publications :
Article in « Vecherni Tbilisi », weekly newspaper, Tbilisi, 8 March 1999.
Article in ArtisSpectrum Magazine, volume#12, New York, February 2004.
Article in « Ouest France », dedicated to the painters who participated in Salon International de St Jean de Monts au Palais des Congrès de St Jean de Monts, France, 26 July 2004.
“Who's Who in Visual Art”, Vol 2006-2007, Art Domain Whois Verlag, Leipzig, 2006.
“Who's Who in Visual Art”, Vol 2008-2009, Art Domain Whois Verlag, Leipzig, 2008
Article
My earlier paintings: “Color symphonies” (oil on canvas)
“Still life” (1988) and “Autumn still life” (1988) are examples of my earlier work. My aim was to create colorful compositions – still lives, landscapes, portraits – with vibrant strokes, interaction of colors and objects sometimes reflected in each other.
White lines on dark background (gouache on cardboard):
“Party” (1990) and “Cube” (1993) are examples of the body of work which I began in 1989.
These are mostly minimalist figurative compositions with white lines on dark background. Human figures, their interaction, linear transformations of the objects, rhythmic play of construction – these are the main features of my work.
Since then linear style has become dominating in my activity, although during all this time I have also been creating colorful compositions with substantive philosophical and psychological content.
Digital (digitally embellished drawings):
My current body of work is a natural continuation of my line-works. In 2000’s, I began applying digital effects to my drawings. The idea was to enrich simple line and make it look more complex, thus through that complexity create a new kind of form.
I call these works “digitally embellished drawings”. This name is due to the way of execution, that is – I scan my drawings and then get the final result using combination of various digital effects.
The examples of this body of work are “Abstract dance” (2006) and “Lovers” (2007).
ArtisSpectrum Magazine, Volume 12, New York, 2004
Lia Chechelashvili uses lines to describe relationships. Her painting The Cube depicts two figures: one female figure made of weightless line that freely moves about as it describes the female form and one male figure that exists more statically in the lower region of The Cube. The play between Chechelashvili's figures and her clever use of line is telling. With just enough information she describes a universal relationship within a closed system - a familiar allegory of male and female archetypes. With well-considered line she defines a still introverted male, facing away from the viewer and the curvilinear levitating female.
Chechelashvili's work examines human narrative within reductive form. Her background in quantitative thinking is a visible component in her efficiently designed figures and volumes. Chechelashvili's figures exist between physiological and psychological representation. With linear transformations she skews the viewer's perceptions and entices a rewarding visual journey.