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"Jean Ier le Posthume" (2024) Painting by Laurent Mangepapier
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 1500 px | ||
|
1500 px |
| Dimensions of the file (px) | 1500x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Watercolor
on Paper
- Dimensions Height 9.8in, Width 9.8in
- Artwork's condition The artwork is in very good condition
- Framing This artwork is not framed
- Categories Paintings under $1,000 Outsider Art History
Jean le Posthume , né roi et meurt roi ...
Mystère, légende, trace du passé, de notre passé ... avec une technique utilisant le pointillisme , une forme d'enluminure notamment sur le sol et le ciel. Pour le peintre de la patience pour poser ses petits points. Pour le regardeur, un peu de douceur ... de réflexion ... de mystères !
Related themes
Artiste pluridisciplinaire maniant le pinceau et le crayon depuis toujours, l’univers artistique de Laurent Mangepapier s’apparente de prime abord à de l’art naïf, où le figuratif saute aux yeux, tout comme la couleur, franche et vive. Une certaine candeur se dégage des formes arrondies et douces, finement rehaussées d’une multitude de pointillés Plus qu’un ornement, ceux ci s’enrichissent de symboles, d’inscriptions, de signes primitifs Le regard peint fixe et captive les mains, ouvertes et tendues comme des offrandes, invitent à entrer dans la danse . Laurent Mangepapier travaille sur de nombreux supports papier, bois, ardoises, mannequins de couture, qui prennent sous ses doigts des allures enchanteresses pour nous emmener sur ses chemins de prédilection la mort, la féminité, l’Histoire, les mythes, sont les thématiques qui lui sont chères . L’œuvre conjugue les têtes de mort en pose espiègle, les visages sages à l’horreur ensanglantée, ou des volutes délicates entourant des pierres tombales Loin de la gravité angoissante et sombre d’une évocation funèbre, la grande faucheuse a des airs de calavera mexicaine à l’allure plaisante, tantôt drôle, tantôt enjolivée de broderies fleuries . Les femmes ont une place privilégiée tout au long de l’aventure artistique de Laurent Mangepapier Tantôt fées, tantôt sorcières, parfois humaines, douces ou porteuses d’une blessure, elles se font reines et envoûtantes, consolantes et puissantes . Çà et là, le spectateur rencontre des légendes, des symboles, des passages oubliés de l’Histoire qui se veulent moins être une critique facile de notre société qu’un engagement à la réflexion personnelle . Les portraits font face, parfois auréolés d’or, tels des icônes au doux parfum byzantin . Les anges et les saints livrent leur message ésotérique à qui saura le décrypter .
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Nationality:
FRANCE
- Date of birth : 1970
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
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