Eglise Painting by Koutsandréou Georges

Painting on Fabric, 20.9x16.1 in
$2,292.97
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  • Original Artwork Painting, Other on Fabric
  • Dimensions Height 20.9in, Width 16.1in
  • Categories Paintings under $5,000
Eglise Format Berceau; Peinture réfléchissant la lumière peinte selon les concepts du mouvement Conjonction avec un matériau inventé par l'artiste. Sculpture d'eau About this artwork: Classification, Techniques & Styles
Eglise Format Berceau; Peinture réfléchissant la lumière peinte selon les concepts du mouvement Conjonction avec un matériau inventé par l'artiste. Sculpture d'eau
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Artist represented by Mouvement Conjonction
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The conjonction movement Is  a new movement in painting still possible in the 21st century ? « No » we were told on varions occasions of debate. And yet… The CONJONCTION movement[...]

The conjonction movement

Is  a new movement in painting still possible in the 21st century ?
« No » we were told on varions occasions of debate.
And yet…
The CONJONCTION movement exist : His advanced painting has been worked out in two stages : The first concepts in 2005 applied the principle of « passage » to figuration.

Then, in 2007, the concepts of this movement extended and the notion of passage became more complex . This second stage in our assertions brought us to change the name of the movement, now called : « CONJONCTION ».
CONJONCTION is a MOVEMENT  and not the mere pictorial operating process of two painters stating the same concepts with their own sensibility and personality. It’s a movement in so far as it opens new ways to painting and offers its reflections to other painters ready to take part in them.


Who are we ?
Two artists living and working in Bordeaux.

Georges Koutsandréou  born on 7 July 1951 : he has painted since he was 17 years old.
Martina Charbonnel born on 24 October 1952 : she has painted since she was 25 years old.

Painting is our vocation. Our creation has always been founded on research and invention, that the history of painting may live and progress.

Our assertions
1 The first assertions of the supra-naive figuration in 2005 were about the passage of the human-like figure over the rectangular format bringing in the third dimension without the help of perspective : three dimensions, therefore, expressed in two D.

2 The second stage, giving birth to the CONJONCTION movement in October 2007, asserts the perpendicular conjunction of the passage of the human-like figure over the  rectangular format, associated with its other passage through the format, by means of
The tunnel effect target (which is a representation of the target in two dimensions).
Thus, our painting can only be understood with respect to its spatial dimension.

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