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MARCED VI (2023) 雕塑 由 Konrad Ziolkowski
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限量版 (#6/8)
雕塑,
青铜
/
石
在石上
- 可用份数 1
- 外形尺寸 高度 70.9in, 宽度 7.1in / 100.00 kg
- 艺术品状况 艺术品完好无损
- 适合户外? 是, 这件艺术品可以在户外展示
- 分类 雕塑作品 低于US$20,000 形象艺术 抽象主义
THE MAIN IDEA OF THE MARCED SCULPTURE:
MARCED looks at his hand in surprise, he is in great shock because it seems like the first time he has seen a living hand, a hand in which real blood flows. A finger moves, one, the other, the whole hand. Marced is frightened because he has realised that it is his hand and he can move it himself, that the hand does what he asks so it is definitely his.
MARCED in „his” life is indestructible, immortal, has golden armour with beautiful decorations, has a great sword and a powerful rifle with a sight. He can jump high, run with acceleration, shoot from a tank, a plane. MARCED in his 'favourite life’ has a super-fast car, he has many of them. MARCED is not afraid of risks he never gets tired, he is not afraid of death because he will be reborn as many times as he wants. MARCED has never felt pain and is not afraid of anything, the only thing MARCED is afraid of now is his own hand. He is afraid of it because it is alive real and the blood flows in it. He forgot about his body a long time ago, he didn’t need it for anything a long time ago. His body has become reconstructed, split into many different lives, it has begun to split between the real world and his „favourite” one. He is on the borderline, a real consciousness, and moves into the multidirectionality of fiction.
I have the impression that sometimes we are all surprised that we are alive, that real blood flows in us, that we can direct our own lives and that others surround us, that we can die, sometimes without a trace. When the boundary between reality and life is lost, when, like a drug, you easily reach for and become artificially who you want to be, forgetting your living reality.
I would be a hypocrite to describe MARCED without looking at myself, a bit of it was my theses pleasures, to escape somewhere else to forget the gravity and disposability of my own life, honestly I used to often get bored with reality, a bit too little colour here. Longer or shorter moments in another virtual reality…. fortunately today I am quite alive. Real life has turned out to be more interesting because now I create fictions in it and not the other way around.
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康拉德·齐奥尔科夫斯基是一位来自波兰的当代获奖雕塑家,他以精通各种艺术媒介而闻名。除了精通当代和古典雕塑外,康拉德还在创作中探索多媒体、计算机图形和动画。他从人类的经历、蜕变和综合中汲取灵感,创作出融合色彩、方向、立体感和对比感的作品,以捕捉人类情感和手势的精髓。
康拉德·齐奥尔科夫斯基 1981 年出生于波兰,在弗罗茨瓦夫美术学院雕塑工作室师从兹比格涅夫·马卡雷维奇教授,在学院学习期间,康拉德磨练了自己的技艺,并形成了自己独特的艺术视野。
在他的职业生涯中,康拉德·齐奥尔科夫斯基的作品曾在波兰、荷兰和英国各地展出。他对雕塑和多媒体艺术的创新方法广受好评,并因其在该领域的杰出成就而获得了多个奖项和认可。
康拉德的艺术创作与观众产生共鸣,引导他们思考人类体验和表达的复杂性。凭借其一丝不苟的技艺和对形式和情感的敏锐理解,他不断以发人深省、视觉震撼的作品吸引观众。