etude for the left hand (2024) 图画 由 Karin Martina Wloczyk

丙烯在纸上, 13.8x9.8 in
US$493.67
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The title is correct, it has been actually a training session for my left hand. I just started dotting with left until I realized that firstly it was fun, secondly it worked well and thirdly it looked similar to old musical manuscripts. That's why I finished painting it. 关于这件艺术品: 分类, 技术技巧 & 款式. 丙烯. 使用传统颜料与合成树脂混合的油漆。. 墨. 一种强烈着色的液体或糊剂,用于标记纸张或其他可打印材料。该设计是使用厚板,羽毛,刷子或矫直机手动完成的。. [...]
The title is correct, it has been actually a training session for my left hand. I just started dotting with left until I realized that firstly it was fun, secondly it worked well and thirdly it looked similar to old musical manuscripts. That's why I finished painting it.

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I am a painter and violinteacher in Berlin. My works have been exhibited for over 25 years and are represented in private and public collections. Painting and my violin have accompanied me since early childhood. [...]

I am a painter and violinteacher in Berlin. My works have been exhibited for over 25 years and are represented in private and public collections.

Painting and my violin have accompanied me since early childhood.

My original basic form is colorfields, that find expression in a variety of forms, often self-invented techniques and with different media, mostly in series. This perhaps corresponds to the musical form 'theme with variations'.

The selection of works presented here is divided into three categories:

dots  (2022-    )

stripes (2013-2015)

colorfields (2005-2012)

The tension between freedom and its limitation is my main theme . How much structure does freedom need in order to be able to develop to its maximum .....this is an important question for me. Especially Classisal Music with its many specifications and Abstract Painting in which everything is possible ...this theme  can be found in my paintings, mostly in the use of the line as a limiting element, or-actually- in my  'dots' as the only structure-forming marks.

In general, the dots series brings an unexpected additional benefit to my art... that is the meditative flow during the constant repetition of dots.  I get bored very quickly with traditional meditation, but this technique requires a high degree of mindfulness and presence. 

So, if some people think, that the dots are a strict corset ... the freedom here lies in painting them. It's about the process, not the result. I would be happy if some of this deceleration spilled over to one or another viewer.

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