通过购买选项租赁Karin Martina Wloczyk的作品“ Etude For The Left Hand ”
Karin Martina Wloczyk的画图可通过购买选项进行租赁
选择您的每月还款额:
索取租赁信息 "Etude For The Left Hand"
联系我们, 融资专家将在24小时内回复您:
常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

关于作者
I am a painter and violinteacher in Berlin. My works have been exhibited for over 25 years and are represented in private and public collections.
Painting and my violin have accompanied me since early childhood.
My original basic form is colorfields, that find expression in a variety of forms, often self-invented techniques and with different media, mostly in series. This perhaps corresponds to the musical form 'theme with variations'.
The selection of works presented here is divided into three categories:
dots (2022- )
stripes (2013-2015)
colorfields (2005-2012)
The tension between freedom and its limitation is my main theme . How much structure does freedom need in order to be able to develop to its maximum .....this is an important question for me. Especially Classisal Music with its many specifications and Abstract Painting in which everything is possible ...this theme can be found in my paintings, mostly in the use of the line as a limiting element, or-actually- in my 'dots' as the only structure-forming marks.
In general, the dots series brings an unexpected additional benefit to my art... that is the meditative flow during the constant repetition of dots. I get bored very quickly with traditional meditation, but this technique requires a high degree of mindfulness and presence.
So, if some people think, that the dots are a strict corset ... the freedom here lies in painting them. It's about the process, not the result. I would be happy if some of this deceleration spilled over to one or another viewer.