Vanitas vanitatum omnia vanitas (2023) Sculpture by Kaouteur Souibgui

Sculpture - Bone, 10.2x5.5 in
$994.92
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Sold by Kaouteur Souibgui

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Fit for outdoor
  • Original Artwork (One Of A Kind) Sculpture, Bone on Other substrate
  • Dimensions Height 10.2in, Width 5.5in / 0.25 kg
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Fit for outdoor? Yes, This artwork can be displayed outdoor
  • Categories Sculptures under $1,000 Figurative Love
Vanitas vanitatum et omnia vanitas respecte davantage le thème des vanités à travers la seule utilisation des strass tout en évoquant son autre origine qui est religieuse. Comme les bijoux, ils évoquent la vanité des biens sur terre mais aussi la nôtre : «comme est la nature des feuilles, ainsi celle des hommes". Elle est censée aussi faire penser[...]
Vanitas vanitatum et omnia vanitas respecte davantage le thème des vanités à travers la seule utilisation des strass tout en évoquant son autre origine qui est religieuse. Comme les bijoux, ils évoquent la vanité des biens sur terre mais aussi la nôtre : «comme est la nature des feuilles, ainsi celle des hommes". Elle est censée aussi faire penser à l’œuvre de Damien Hirst avec son For the Love of God ou Skull star Diamond mais la mienne est loin de toutes les converstaion pieces sucitées par son œuvre. . Hirst critiquait et la dimension criminelle de l’industrie du diamant« The cutthroat nature of the diamond industry, and the capitalist society which supports it, is central to the work’s concept » (la nature meurtrière impitoyable de l’industrie du diamant, et de la société capitaliste qui la soutient, est au cœur de l’œuvre. Ce que moi je condamne, c’est que depuis la nuit des temps, l’homme exploite l’animal pour sa chair ou par sa force sans rien lui rendre en retour (à part la mort ou une mort lente). Mes créations artistiques lui rendent simplement hommage pour rééquilibrer la balance évoquée par Guillaume Allemand. Une fois de plus, je dénonce notre anthropomorphisme mais en plaçant l’animal sur un pied d’égalité avec l’homme. La boucle est bouclée avec cette dernière création, j’avais commencé avec Montaigne pour terminer avec lui. Comme ce dernier, je prône la bienveillance à l’égard des bêtes et le respect pour la sensibilité du vivant quel qu’il soit dans une perspective biophile.

Related themes

AbstraitFiguratifContemporainAnimauxCouleur

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Kaouteur Souibgui is a contemporary artist based in France. The artist embarks on a journey of transcending reality, asserting that the richness of imagination far surpasses the[...]

Kaouteur Souibgui is a contemporary artist based in France. The artist embarks on a journey of transcending reality, asserting that the richness of imagination far surpasses the limitations of the tangible world. In alignment with the sentiments of the revered Charles Baudelaire, Souibgui embraces the idea that nature is inherently flawed, finding greater allure in the fantastical creations of the mind. As Baudelaire expressed, "Nature is ugly, and I prefer the monsters of my fantasy to positive triviality." This perspective serves as a guiding principle for Souibgui, inspiring a departure from conventional representations in favor of exploring the boundless possibilities of the imagination.

Whether working on the canvas or through the medium of collage, Souibgui seeks to redefine the very essence of aesthetics. In this pursuit, the artist employs techniques of their own invention, pushing the boundaries of traditional artistic norms. The result is a body of work that transcends conventional notions of beauty and challenges viewers to engage with a more expansive and unconventional visual language.

Additionally, Kaouteur Souibgui is an active member of the collective "Destructuralism Figurative." This collaborative endeavor further emphasizes Souibgui's commitment to exploring innovative and transformative approaches to art, contributing to a collective movement that seeks to deconstruct and reconstruct traditional forms and meanings.

Kaouteur Souibgui's artistic journey is one marked by a fearless exploration of the fantastical and an unyielding commitment to pushing the boundaries of artistic expression. Through self-invented techniques and a dedication to transcending the ordinary, Souibgui invites audiences to reconsider the very nature of aesthetics, engaging with a visual language that emerges from the depths of imagination and defies the constraints of the commonplace.

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