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Immortalité (2023) Sculpture by Kaouteur Souibgui
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Sold by Kaouteur Souibgui
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Original Artwork (One Of A Kind)
Sculpture,
Acrylic
/
Bone
- Dimensions Height 9.1in, Width 3in / 0.25 kg
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Fit for outdoor? Yes, This artwork can be displayed outdoor
- Categories Sculptures under $1,000 Outsider Art Abstract
En revanche, on peut s’identifier à l’os mais l’identification avec la pierre reste impossible, hormis le message d’immortalité qu’elle véhicule, elle ne nous concerne pas. Au niveau philosophique, on peut se demander : qu’est-ce que le moi et la mortalité?
Le crâne est exploité à l’envers pour insister sur le fait que la mort, comme la vie, ne sont que le double visage du monde (comme la guerre et la paix du reste). Les bois sont dirigés vers le haut à la manière d'une prière dirigée vers le ciel mais qui prie-t-on et vers quoi aspire-t-on de nos jours ? Les diamants strass qui nous regardent et que nous observons, nous renvoient à la vanité des biens terrestres et à notre propre vanité. La représentation du monde et de l’être en vanité marque la caducité de notre raisonnement : l’être se trouve face à une aporie. La question fondamentale à se poser face à cette création est la suivante : comment se penser face au monde qui se délite ? Comment exister alors que tout disparait ? On peut s'affliger. Rien ne tient, tout fuit. J’aime à citer Montaigne pour rendre compte de ce constat : "pourquoi prenons-nous titre d'être de cet instant qui n'est qu'un éclair dans le cours infini d'une nuit éternelle, et une interruption si brève de notre perpétuelle et naturelle condition, la mort occupant tout le devant et tout le derrière de ce moment, et une bonne partie encore de ce moment ?
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Kaouteur Souibgui is a contemporary artist based in France. The artist embarks on a journey of transcending reality, asserting that the richness of imagination far surpasses the limitations of the tangible world. In alignment with the sentiments of the revered Charles Baudelaire, Souibgui embraces the idea that nature is inherently flawed, finding greater allure in the fantastical creations of the mind. As Baudelaire expressed, "Nature is ugly, and I prefer the monsters of my fantasy to positive triviality." This perspective serves as a guiding principle for Souibgui, inspiring a departure from conventional representations in favor of exploring the boundless possibilities of the imagination.
Whether working on the canvas or through the medium of collage, Souibgui seeks to redefine the very essence of aesthetics. In this pursuit, the artist employs techniques of their own invention, pushing the boundaries of traditional artistic norms. The result is a body of work that transcends conventional notions of beauty and challenges viewers to engage with a more expansive and unconventional visual language.
Additionally, Kaouteur Souibgui is an active member of the collective "Destructuralism Figurative." This collaborative endeavor further emphasizes Souibgui's commitment to exploring innovative and transformative approaches to art, contributing to a collective movement that seeks to deconstruct and reconstruct traditional forms and meanings.
Kaouteur Souibgui's artistic journey is one marked by a fearless exploration of the fantastical and an unyielding commitment to pushing the boundaries of artistic expression. Through self-invented techniques and a dedication to transcending the ordinary, Souibgui invites audiences to reconsider the very nature of aesthetics, engaging with a visual language that emerges from the depths of imagination and defies the constraints of the commonplace.
- Nationality: FRANCE
- Date of birth : 1978
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists