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Mary Magdalena on the grotto 2 ( Maria Magdalena na gruta) (2021) Painting by Jorge Quiros
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine prints-
Original Artwork (One Of A Kind)
Painting,
Watercolor
on Paper
- Dimensions Height 16.5in, Width 11.4in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Spiritual Art Religion
The cave is dark, and shades of black predominate, but a light seems to come from outside to illuminate his face, showing hope amidst the journey through the shadows, the anguish of living a difficulty and a concern in the present but whose future points to a light, which is the divine light.
In this watercolor, monochrome almost prevails, and the colors are observable only on her skin with hints of red on her sad face. Jesus Christ and his resurrection.
Pintura a aquarela sobre papel com o tema sacro de Maria Magdalena, na gruta, estando pensativa e provavelmente aflita, os pensamentos que lhe permeiam chegam a tocar nossos olhos pela expressão de sua face em contrição.
A gruta é escura, e os tons de preto predominam, mas uma luz parece vir de fora a alumiar seu rosto, demonstrando a esperança em meio ao percurso nas sombras, a angústia de viver uma dificuldade e uma preocupação no presente mas cujo futuro aponta a uma luz, que é a luz divina.
Nesta aquarela a monocromia quase prevalece, e as cores são observáveis apenas em sua pele com pitadas de vermelho em sua face triste, a caverna remete sempre a este isolamento do mundo além de um refúgio do mundo mateiral aonde se espera aflitamente a esperança de nossa senhor Jesus Cristo e sua ressurreição.
Related themes
ReligionReligiãoReligareCatolicismMary Magdalena In The Grotto
Jorge Paulo Quiros born on 23.01.1989, Brazilian, visual artist, art teacher, from a young age his identification with the arts was already clear.
Author of several works, with influences from romanticism , symbolism and expressionism, his paintings stand out for their bright, striking colors and strong brushstrokes throughout the work, and in addition to an approximation of imagery symbols with naturalistic images, aligning the timelessness of beauty with the fleetingness of his style. A deep connoisseur of art, the author shows in his work the inspiration that comes from within himself and through the canvas, paints and brushes he brings his creation to life.
The creative process of his work takes place in this confrontation between the observer and the object of contemplation, whether internal or external contemplation, in which the object speaks to the observer; what the image communicates to the eye and what the heart expresses on the support; composing through this relationship the process whose result is the plastic work, which is the transubstantiation of the perceived reality into the demonstrated reality, or rather, revealed. The image, being in the artist's language, a receptacle of a series of ideals and formal elements, is printed on canvas or paper, revealing all the impressions contained in the image through the plastic work, with the work being the new receptacle of the ideal and elements of the they are portrayed and poeticized by the artist's language expressed in the work.
This confrontation takes place through an idea, which once emerged in consciousness, impels me to produce it and express it in the best possible way; I see my process in this emergence of the search for the expression of the idea that is achieved through a constant and progressive sketching of the form. With this, I consolidate imagery in naturalism through the different elements of expression of the image, which are symbolism, the subconscious, assimilated to the different aspects of the perception of external forms.
Images lie in nature and in memory, memory being the timelessness of temporal nature, the impressions of the images I produce come from both sources, composing a metaphysics of the image, which expresses in the work the elements of natural form as well as elements of the inner image that the artist evokes from his imagination and from the veiled face of nature noted and revealed by the artistic process.
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Nationality:
BRAZIL
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Brazilian Artists
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