Anasazi: Weaver #artistsupportpledge Printmaking by Jo Moore

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Rating: 4.9 (12664 reviews)

Limited Edition

Printmaking on Paper, 14x19.5 in

$150

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Seller Jo Moore

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Limited Edition Number of copies : 50. Printmaking, Screenprinting on Paper

Artworks classification

Limited Edition

The edition run is over. The number of works produced has been determined and included in the listing.
Number of copies available 1
Dimensions Height 14in, Width 19.5in
Framing This artwork is not framed
Categories Printmaking under $500 Expressionism

Size: 14 H x 19.5 W x 0.1 in. Original hand-pulled by the artist Serigraph. Ed 50. Each of my serigraphs is hand-pulled by the artist onto archival, acid free cotton rag paper and signed, titled and numbered on the front. Suggested framed size: minimum 20x26 in. or larger. WHAT IS A SERIGRAPH? SERIGRAPHY is the earliest recorded original fine art printmaking [...]

Size: 14 H x 19.5 W x 0.1 in
Original hand-pulled by the artist Serigraph. Ed 50. Each of my serigraphs is hand-pulled by the artist onto archival, acid free cotton rag paper and signed, titled and numbered on the front. Suggested framed size: minimum 20x26 in. or larger.
WHAT IS A SERIGRAPH?
SERIGRAPHY is the earliest recorded original fine art printmaking technique. It has its roots in ancient China (AD 221-618) where early serigraphers bridged intricate tissue-paper design stencils with human hairs to illustrate the teachings of Buddha. It is termed an "original" printmaking technique because the original image is actually done on the screen and each impression is hand-pulled individually by the artist (or master printer) and belongs to a signed and numbered limited edition. Each serigraph is an original. And each serigraph retains its own specific character as inks blend in their own particular way. The technique involves pulling inks across a series of fabric stencils which have been prepared with aqueous or nonaqueous resists to enable portions of the image to emerge. As with any of the other major original printmaking techniques --- etching, lithography, woodcuts --- a separate pull is required for each color deposit.

Keywords: Pueblo, Anasazi, Native American history, southwest landscape, New Mexico, Arizona, serigraph, women, weaver, eagle, totem

Jo Moore

United States

Jo Moore is a contemporary American artist known for her distinctive visual language characterized by depth, shadow, and intricately carved surfaces. Moore's work serves as a vessel for conveying a stoic spirit, using a variety of mediums such as impasto, wax, and pigment to evoke emotional responses from her viewers.

A lifelong studio artist, Moore finds solace, meditation, and serenity in her creative process. When she works with a clear mind, she feels a sense of stillness, becoming a vessel that quietly transmits stoic energy. She believes that a painting should not only be seen but also felt. Her artistic gestures are consistent with her perceptions, forming a visual language and vocabulary that remain constant.

Moore's recent focus has been on three-dimensional canvases, where she sculpts the image before painting it. She employs a brilliant color palette to create an emotional impact on her audience. With contemporary and abstract themes as her foundation, Moore uses numerous layers of texture and impasto combined with vibrant hues to produce a sculpted surface that exudes raw energy. Her canvases function as relief sculptures, adding depth and casting shadows over the sculpted surfaces within the composition.

All of Jo Moore's works are gallery wrapped or museum profile with painted edges, sealed, acid-free, and archival, ensuring their longevity and preservation. Through her art, she continues to explore and express the profound connection between visual perception and emotional experience.