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Empreinte 3 (2016) Painting by Jean-Luc Sert
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 1500 px | ||
|
1500 px |
| Dimensions of the file (px) | 1500x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
on Canvas
- Dimensions Height 31.5in, Width 31.5in
- Framing This artwork is not framed
- Categories Paintings under $1,000 Abstract
Related themes
J'ai toujours dessiné et me consacre à la peinture depuis une quinzaine d'années.
Mes influences sont multiples, mais on peut relever actuellement une préférence pour des peintres « coloristes », des peintres qui « peignent la peinture ».
« Travailler dans l'huile » me pousse /porte « naturellement » -Jenny Saville- à pratiquer une peinture de terre de sang et d'eau...
J'éprouve une urgence à peindre, tout en savourant jusqu'à la dernière goutte de plaisir (larme) éprouvé à travailler sur chacun de mes tableaux.
Je vais à la rencontre de chacun de mes tableaux, me centrant sur ce qu'il requiert au fur et à mesure de sa réalisation, tout en respectant les invariants propres à la peinture.
Enfin, j'essaie de faire corps avec la matière picturale, l'acte de peindre étant pour moi indissociable d'une approche des arts martiaux ( externes puis internes ) que je pratique depuis de nombreuses années.
Je puise de précieuses informations dans les ouvrages d'histoire de l'art dont je suis grand lecteur. Je suis également curieux et ouvert au travail des artistes que je peux rencontrer, soit lors d'expositions, de visites de muséees ou d'autres événements.
Toutes ces informations balisent mon cheminement et m'encouragent à continuer dans les moments de doute.
Habitant en Haute-Savoie depuis une quarantaine d'années, je m'imprègne de ses couleurs et de ses vibrations. Je fais provision de couleurs avec tous les éléments qui m'entourent. Il faut être en immersion quasi permanente, ouvert à toutes les formes du vivant.
Je revendique mon espace de liberté face aux faits sociaux, même si une partie de mon travail questionne le rapport de l'homme à la nature et au monde qui l'entoure et souhaiterais que mon approche qui se veut heuristique et réversible serve d'interface entre les univers personnels de chacun-chromatiques, imaginaires, cognitifs.
Adhérent à la "Maison des Artistes"
-
Nationality:
FRANCE
- Date of birth : 1954
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
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