Digital Arts titled "Imaginations 002" by Jay Anthony Gonzales, Original Artwork, AI generated image

Imaginations 002 (2022) Digital Arts by Jay Anthony Gonzales

Buy a print

This print is available in several sizes.

Art Prints

$27.02

Canvas prints

$46.48

Metal Print

$100.52

Museum Quality

Customer's reviews Excellent

Artists get paid their royalties for each sales

Sold by Jay Anthony Gonzales

Digital licensing

This image is available for download with a licence

Web Licence

$32.00

Media Licence

$130.00

Commercial Licence

$270.00

Max resolution: 2400 x 3000 px

Download immediately upon purchase

Artists get paid their royalties for each sales

Sold by Jay Anthony Gonzales

This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print

Artworks classification

Open Edition

The edition run continues. The production of new works is ongoing. These may be numbered. This includes works made-to-order, or prints on demand.
Dimensions Several sizes available
Several supports available (Fine art paper, Metal Print, Canvas Print)
Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
Artwork's condition The artwork is in perfect condition
AI generated image The artist created this image leveraging Artificial Intelligence technology
Categories Abstract Mountainscape

Jay Gonzales works appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. By applying a poetic and often metaphorical language, he tries to create works in which the actual event still has to take place or just has ended: moments evocative[...]

Jay Anthony Gonzales

Philippines

Jay Anthony Gonzales (°1979, Manila, Philippines) makes paintings and mixed media artworks. By applying abstraction, Gonzales investigates the dynamics of landscape, including the manipulation of its[...]

Jay Anthony Gonzales (°1979, Manila, Philippines)

makes paintings and mixed media artworks. By applying abstraction, Gonzales investigates the dynamics of landscape, including the manipulation of its effects and the limits of spectacle based on our assumptions of what landscape means to us. Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination.

His paintings establish a link between the landscape’s reality and that imagined by its conceiver. These works focus on concrete questions that determine our existence. By putting the viewer on the wrong track, he creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles.

His works are given improper functions: significations are inversed and form and content merge. Shapes are dissociated from their original meaning, by which the system in which they normally function is exposed. Initially unambiguous meanings are shattered and disseminate endlessly. By exploring the concept of landscape in a nostalgic way, he wants to amplify the astonishment of the spectator by creating compositions or settings that generate tranquil poetic images that leave traces and balances on the edge of recognition and alienation.

His works appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. By applying a poetic and often metaphorical language, he tries to create works in which the actual event still has to take place or just has ended: moments evocative of atmosphere and suspense that are not part of a narrative thread. The drama unfolds elsewhere while the build-up of tension is frozen to become the memory of an event that will never take place.

His works doesn’t reference recognizable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted.