命运NO.9 (2023) Painting by Heng Qiang

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Art image bank
  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions Height 23.6in, Width 23.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Surrealism Dark Fantasy
命运系列开始于2022年初,是我对于西方经典雕塑的再次创作。我并非雕塑专业出身,也很少参与到创作和制作雕塑的过程中。但我学画多年,从初拾画笔便大量被训练用二维平面的画纸来写生三维空间中的石膏雕像。可以说,“画雕塑”已经成为了我所代表的的中国特色美术教育体制的一种条件反射性动作。当这种“动作”成为一种近乎本能的冲动时,对于一个已经脱离初学者阶段的艺术家来说是有着复杂的意义的,毕竟,当痛苦成为习惯,痛苦就变得不可或缺了。所以,我尝试着将这种冲动释放或者说疏引到一个更大的且可拓展的容器里(用艺术家的方式),这个容器便是:命运系列。The Destiny series started in early 2022, and it is my re-creation of western classic [...]
命运系列开始于2022年初,是我对于西方经典雕塑的再次创作。我并非雕塑专业出身,也很少参与到创作和制作雕塑的过程中。但我学画多年,从初拾画笔便大量被训练用二维平面的画纸来写生三维空间中的石膏雕像。可以说,“画雕塑”已经成为了我所代表的的中国特色美术教育体制的一种条件反射性动作。当这种“动作”成为一种近乎本能的冲动时,对于一个已经脱离初学者阶段的艺术家来说是有着复杂的意义的,毕竟,当痛苦成为习惯,痛苦就变得不可或缺了。所以,我尝试着将这种冲动释放或者说疏引到一个更大的且可拓展的容器里(用艺术家的方式),这个容器便是:命运系列。The Destiny series started in early 2022, and it is my re-creation of western classic sculptures. I am not a professional in sculpture, and I rarely participate in the process of creating and making sculptures. But I have been studying painting for many years. Since I first picked up a brush, I have been trained to use two-dimensional drawing paper to sketch plaster statues in three-dimensional space. It can be said that "painting and sculpture" has become a conditioned reflex action of the art education system with Chinese characteristics that I represent. When this "action" becomes an almost instinctive impulse, it has complicated meanings for an artist who has already left the beginner stage. After all, when pain becomes a habit, pain becomes indispensable. Therefore, I try to release or divert this impulse into a larger and expandable container (in an artist's way), and this container is: the Destiny series.

Related themes

命运树枝痛苦挣扎雕塑

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Heng Qiang is a contemporary emerging Chinese painter, born in 1989. He specializes in large-format oil paintings on canvas and is a graduate student at the China National Academy of Fine Arts. Qiang has gained [...]

Heng Qiang is a contemporary emerging Chinese painter, born in 1989. He specializes in large-format oil paintings on canvas and is a graduate student at the China National Academy of Fine Arts. Qiang has gained recognition for his distinctive work, notably winning the second award at the 7th Hangzhou Young Artists Exhibition, held at the Hangzhou Fine Arts Academy Art Museum, for his oil painting "Anti-epidemic Angel." In 2021, he was honored with the Provincial Excellent Graduate Award.

Qiang's art often explores the theme of dreams, a subject he finds deeply intriguing. He believes that dreams reveal the most authentic aspects of the human psyche, even though they are often forgotten or suppressed by the conscious mind. This mysterious quality of dreams fascinates him, and he sees the creation of atmospheric scenes as crucial to conveying this theme. In his works, Qiang employs various techniques and expressions to explore the nature of dreams, often incorporating anti-logical images and seemingly disjointed narratives. However, these elements are not random; they serve as symbols with specific metaphors and hints, reflecting the artist's contemplation of the objective world. Through his art, Qiang seeks to evoke a sense of mystery and introspection, inviting viewers to delve into the deeper meanings behind his imagery.

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