The Rotten One (El podrido) (2022) Painting by Gustavo Adolfo Díaz Sánchez (El Gus)

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Seller Gustavo Adolfo Díaz Sánchez (El Gus)

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Seller Gustavo Adolfo Díaz Sánchez (El Gus)

  • Original Artwork (One Of A Kind) Painting, Acrylic / Watercolor on Paper
  • Dimensions Height 11.8in, Width 8.3in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Abstract Colorful
Aquí quise jugar más con la oscuridad. Casi diría con la negrura, porque la segunda autopsia fue de un cuerpo que llevaba cuatro días al sol (en agosto) antes de que lo encontraran, así que estaba completamente negro (y no solo por fuera). Aquí usé gran cantidad de tinta negra que volqué por encima de todo y lavé con agua en algunas zonas[...]
Aquí quise jugar más con la oscuridad. Casi diría con la negrura, porque la segunda autopsia fue de un cuerpo que llevaba cuatro días al sol (en agosto) antes de que lo encontraran, así que estaba completamente negro (y no solo por fuera).

Aquí usé gran cantidad de tinta negra que volqué por encima de todo y lavé con agua en algunas zonas antes de que secara. Por eso hay color negro depositado en montones de "poros" que se generaron en las superficies acrílicas.

Related themes

AbstractAbstractoWatercolorAcuarelaAutopsia

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I excelled in drawing since I was little and although as a young man I attended drawing and painting classes in my native Alcázar de San Juan (Ciudad Real), I abandoned the practice at the age of 20. But[...]

I excelled in drawing since I was little and although as a young man I attended drawing and painting classes in my native Alcázar de San Juan (Ciudad Real), I abandoned the practice at the age of 20.
But my creativity continued to emerge through the word, thanks to my two decades as a translator, and by running and creating role-playing games.
I am now an expert in localization and user experience. Great connoisseur of Lovecraftian themes. And I have designed and supervised role-playing games.
Two years ago teleworking gave me the time I needed, so I picked up art where I left it years before and I'm developing my abstract facet guided by the Madrid-based artist from Granada, Araceli García.
My works are enriched by my understanding of the word. As a visual thinker, I capture the abstract impressions that concepts project into my mind. I don't like to repeat myself, so I work on several different projects and experiment with various techniques.
Humanity painted in the caves to, through sympathetic magic, favor the hunt for what it represented. With my works I turn the tables, creating a kind of voodoo dolls with which to ruthlessly correct this spoiled world through "unsympathetic magic".

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