Gregory Cliffe
My early work was strongly influenced by Abstract Expressionism, sculptural formalism and performance-installation art. I practiced as a installation and performance artist until the late 80s. This was punctuated by two performances at the Cite Internationale Des Artes, Paris in 1984 courtesy of a AGNSW Moya Dyring Studio residency and an Australia Council travel grant. In the 1990s I began to paint and studied a Master of Arts at The University of Western Sydney from 99-2001. Over 30 years my studio research has evolved to embrace the concept of totalized time and the stratification of memory in my work lends itself to the historical references I use in my paintings, creating a mixture of philosophical and ideological threads through time.
I have always been interested in how social values and cultural history can be transmitted by folk narrative, fables, and absurd “yarns” and what these say about group cohesion, conformity, and shared presumptions. I like to collect a range of humorous stories and anecdotes, images of historical artefacts and documents from which to base subjects for my current fictional/factual narrative paintings.
In the exhibition “Groupthink” at Lost Bear Gallery in September, 2016 I sought to examine the nature of group behaviour across a range of sub-cultures and social environments. The paintings focused on sporting, business, recreational and leisure milieus revealing recent change in cultural and social values, family behaviour and human relationships.
My recent work has been focused on the significance of location, my family history and social history through more traditional genres and techniques such as landscape, still life and portraiture. It is extending the subject matter I have explored with group figurative compositions over the last 20 years into the places associated with the stories I have explored.
My painting technique having evolved from linear expressionist landscape paintings in the 1990’s to montaged compositions of family and social history images. This was previously executed in Alkyd mediums to my more recent traditional solvent-free oil painting processes used by the Baroque masters, C19th Romanticists and Pre-Raphaelites.
Discover contemporary artworks by Gregory Cliffe, browse recent artworks and buy online. Categories: contemporary australian artists. Artistic domains: Painting. Account type: Artist , member since 2024 (Country of origin Australia). Buy Gregory Cliffe's latest works on ArtMajeur: Discover great art by contemporary artist Gregory Cliffe. Browse artworks, buy original art or high end prints.
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Biography
My early work was strongly influenced by Abstract Expressionism, sculptural formalism and performance-installation art. I practiced as a installation and performance artist until the late 80s. This was punctuated by two performances at the Cite Internationale Des Artes, Paris in 1984 courtesy of a AGNSW Moya Dyring Studio residency and an Australia Council travel grant. In the 1990s I began to paint and studied a Master of Arts at The University of Western Sydney from 99-2001. Over 30 years my studio research has evolved to embrace the concept of totalized time and the stratification of memory in my work lends itself to the historical references I use in my paintings, creating a mixture of philosophical and ideological threads through time.
I have always been interested in how social values and cultural history can be transmitted by folk narrative, fables, and absurd “yarns” and what these say about group cohesion, conformity, and shared presumptions. I like to collect a range of humorous stories and anecdotes, images of historical artefacts and documents from which to base subjects for my current fictional/factual narrative paintings.
In the exhibition “Groupthink” at Lost Bear Gallery in September, 2016 I sought to examine the nature of group behaviour across a range of sub-cultures and social environments. The paintings focused on sporting, business, recreational and leisure milieus revealing recent change in cultural and social values, family behaviour and human relationships.
My recent work has been focused on the significance of location, my family history and social history through more traditional genres and techniques such as landscape, still life and portraiture. It is extending the subject matter I have explored with group figurative compositions over the last 20 years into the places associated with the stories I have explored.
My painting technique having evolved from linear expressionist landscape paintings in the 1990’s to montaged compositions of family and social history images. This was previously executed in Alkyd mediums to my more recent traditional solvent-free oil painting processes used by the Baroque masters, C19th Romanticists and Pre-Raphaelites.
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Nationality:
AUSTRALIA
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Australian Artists

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Finalist, The Basil Sellers Art Prize
Basil Sellers Exhibition Centre, Campbell Street, Moruya NSW, Australia
Finalist, The 2024 Basil Sellers Art Prize.