Painting titled ""ERMAFRODITA ALATO"" by Giò Pasta, Original Artwork, Oil Mounted on Wood Stretcher frame

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"ERMAFRODITA ALATO" (2024) Painting by Giò Pasta

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Rating: 4.9 (10201 reviews)

Original

Oil on Canvas, 35.4x27.6 in

$5,417.14

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Seller Giò Pasta

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One of a kind

Artwork signed by the artist

Certificate of Authenticity included

Ready to hang

This artwork is framed

Mounted on Wood Stretcher frame

Original Artwork (One Of A Kind) Painting, Oil / Graphite / Pigments on Canvas

Artworks classification

One of a kind (OOAK / Original Artwork)

One-of-a-kind works of art are also known as “OOAK” artworks. This means that every work of art is unique and there will never be another identical one.
Dimensions 39.4x31.5 in
Dimensions of the work alone, without framing: Height 35.4in, Width 27.6in
Artwork's condition The artwork is in perfect condition
Framing This artwork is framed
Categories Paintings under $20,000 Surrealism World Culture

“Ermafrodita Alato” - “Winged Hermaphrodite”
L’opera pittorica rappresenta una figura enigmatica e affascinante che riflette le incertezze e le trasformazioni del nostro secolo. Questo essere celeste, un puttino alato, si libra tra il cielo e l’abisso della coscienza umana, con una pelle dai toni che si fondono con lo sfondo blu cobalto, in continuo movimento, crea un effetto di cambiamento perpetuo.
Ogni tratto e ogni sfumatura sono una riflessione del nostro stesso percorso, una guida nella danza tra luce e ombra, tra ordine e caos, tra il conosciuto e l’ignoto.
• L’Ermafrodito Alato incarna la dualità e l’integrazione, con un corpo che oscilla tra il maschile e il femminile, avvolto in una forma astratta e in evoluzione. Questa figura simboleggia la nostra ricerca di comprensione e accettazione, riflettendo sulla fluidità dell’identità umana in un’era di rapide trasformazioni. Le ali del puttino, che catturano i riflessi dell’universo, rappresentano l’equilibrio tra forze opposte, mentre le piume simboleggiano la libertà e la leggerezza dell’essere.
• Il fondo astratto, con i suoi colori e forme, evoca la complessità e la confusione dei nostri tempi, suggerendo una bellezza che emerge dal caos apparente. Questo essere alato non è solo un messaggero tra il visibile e l’invisibile, ma anche una riflessione sulla fluidità delle barriere tra generi, cultura e identità nel nostro secolo.

About this artwork: Classification, Techniques & Styles

Oil

Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger.

Graphite

Black and white drawing made with a pencil, an instrument made of a small wooden stick used as a sheath for a graphite mine of the same length.

Pigments

Paint made with colored powder suspended in a liquid binder to obtain some paint or ink.

Surrealism

Founded in 1923 by the writer André Breton, it will unite many artists like Salvador Dali (1904-1989), Max Ernst, René Magritte (1898-1967), Victor Brauner (1903-1966). Influenced by psychoanalysis, they see psychic life as a new field for renewing the arts. They will develop new ways to create and use new materials.

Technic Painting

Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on supports such as paper, rock, canvas, wood, bark, glass, concrete and many other substrates. Work of representation or invention, painting can be naturalistic and figurative, or abstract. It can have narrative, descriptive, symbolic, spiritual, or philosophical content.

Giò Pasta

Italy

I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located in the heart of that vibrant, free and nonconformist Milan of those years, sharing art with many artists who frequented the favorite for many of them: a golden decade of art, music, fashion, design and a great will to live. In 1975 the first personal exhibition, "Tratti & Ritratti", Galleria Guelfa, Florence. In 1977 in Rome. I attended the Academy of Dramatic Art "P. Sharoff". The meeting with the famous F. Vigo gallery owner immediately established a good feeling and so he exhibited in his "Numero" gallery in Rome, a point of reference for relations between internationally renowned artists and intellectuals. In 1981 I returned definitively to Milan, from here I resumed my initial path. In 1991 I was fully accepted as an Academician at the Academy of Fine Arts in Fano. In the years to come, with multimedia events and installations, my painting maintained the figurative style between the visionary and the fantastic, continuing the transit towards the latitude of the dream leads me to express, through journeys of the psyche, the metaphors of the life of the my mental imagery.