Double voûte (2022) Photography by Gaspard De Gouges

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  • Original Artwork Photography, Digital Photography
  • Dimensions Dimensions are available on request
  • Artwork's condition The artwork is in perfect condition
  • Categories Surrealism Seascape
Au milieu une voûte sur une toile qui semble tendue comme un décor. Au dessus une autre voûte, naturelle celle-ci. La roche est noire, comme du basalte. De part et d'autre au deuxième plan, des rochers encadrent l'image centrale. Ces rochers nous dévoilent des entrées de grottes et des chemins taillés dans la roche. Apparemment on est loin[...]
Au milieu une voûte sur une toile qui semble tendue comme un décor. Au dessus une autre voûte, naturelle celle-ci. La roche est noire, comme du basalte. De part et d'autre au deuxième plan, des rochers encadrent l'image centrale. Ces rochers nous dévoilent des entrées de grottes et des chemins taillés dans la roche. Apparemment on est loin d'un lieu naturel, la présence de l'homme ici est omniprésente, la culture domine la nature, par l'image elle même, mais aussi par ces grottes habitées qui font écho au passage qu'on aperçoit sur l'iamge au centre, au cœur de cette voûte maçonnée en plein cintre.

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Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (France). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint[...]

Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (France). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint large format figurative canvases, group portraits. Since 2021 he has devoted himself to photography, which has become a game for him, a kind of motionless journey.

"I started photographing scenes when I was 10 years old, with very realistic toys and models that I built with stalks of dry grass, miniature vehicles. For a long time I wanted to photograph islands, to their dreamlike power, I love to travel there and their memory persists. Their existence plunges us into an elsewhere. I imagined them tropical, but it is on mineral and Mediterranean islands that I finally decided to evoke. My approach is to create stagings, artificial but plausible, realistic landscapes. I create imaginary worlds, sometimes containing ruins, at least rocks that sometimes make me think of fortresses. These landscapes surprise me and always give me a lot of pleasure to create. "

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