Not For Sale
Seller Freda Bey
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 960 px | ||
|
1280 px |
| Dimensions of the file (px) | 960x1280 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
on Cardboard
- Dimensions Height 15.8in, Width 11.8in
- Framing This artwork is not framed
- Categories Paintings under $500 Figurative
I studied books from a very young age. I drew and wrote at the same time, which later led me to question the meaning of life. Thus, I embarked on Jungian psychoanalysis and Oneirology, with all that this entails in terms of human creativity. This probably explains why I paint dreams according to the path of individuation, a collection called "symbolism" in the gallery.
So, self-taught, I experiment with painting as I study the painters I study. After 50 years, I must be happy to have acquired a lot of knowledge and practice.
I did a few courses with the 'Pastellistes de France' in Limoges and St Florent le Vieil in Maine et Loire. I am very realistic in my pastels, I love the material. I had much less satisfaction with acrylic, however it is with acrylic that I train and that I reproduce the artists.
I discovered oil late, (I was told that it was difficult - whereas today, I estimate to have lost so many years of true creativity!-) thanks to workshops at the "Lézards" club in Pessac. I became familiar with it and today, I could not do without it. I love the texture, I sculpt the material and yet without relief. My tools are flat brushes, foams and my fingers, nails and everything which can leave traces. I am particularly fast (I am surprised, I enter the performance category on this subject). Because it is during my paintings on the spot, that I obtain comments and that I discover myself as an artist.
Curiously, it is my family setbacks that allowed me to get started, I also had to go through the ordeal of throat cancer (symbolically a problem of expression). I have slightly more daring desires but my creativity does not make me live. Reproductions and portraits sell better. As for the latter, I aspire to find a genre, a style, to move away from resemblance, but... I'm getting older.
I haven't done any exhibitions properly speaking, only Christmas markets, telethons, and designer markets.
I really work the old-fashioned way, with my brush and the model (I have a lot of sketches, nudes for example, waiting to be used). I don't use computers or modern products whose use I don't know.
I have a lot to learn, my dearest dreams: to find an artistic agent, a gallery and above all, the best, to work in an artist's house!
There, I think I've covered everything, thank you for reading me so far.
Yours truly, in joy and creativity.
yours truly
frédérique (freda)
-
Nationality:
FRANCE
- Date of birth : 1962
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Contemporary French Artists
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