Luz Perez Ojeda

Since 1989 I’ve been a professional artist, painter, photographer, and printer. My artistic background did not come through academic accomplishment, rather I gained my experience while working in art studios.
From the time I was small, I have been living in an artist-friendly environment. The people in my life included my parents, whom were both artists themselves along with teachers of art. As this was my environment, I learned very quickly from my parents' knowledge and teaching of the arts.
I learned quickly and became not only a professional artist, painter and photographer, but also a serigraphy printer while working as an assistant for seven years to the well-known International kinetic artist, Carlos Cruz-Diez. While working as his assistant, I also learned and assisted him in silkscreen printing and photography.

I decided to continue my education at Atelier Del Arco, located in Paris, during the years of 1988 through 1994. I used my newly-acquired skills to compose traditional black-and-white photography in a lab owned by printer and editor François Patez. While working in the lab, I further improved my skills in art silk-screening by printing the creations of very well-known artists.
Through all of my experience gained thus far, digital art photography became my artistic outlet of choice. Digital collage photography is a technique in which two mediums gather, mixing photography and painting through a process used which implements a computer. This form of artistic expression is something that I feel expresses the painter, as well as the photographer within me.
As technology has evolved, new digital print techniques have proven to work very well with my expression of printing, which closely resembles my previous work (prior to digital), when I was involved in silk-screen printing (serigraphy).The discovery and use of the lenticular printing technique were very important for me.
Once again in my artistic work I have incorporated a printing technique, after the serigraphy, and the flatbed on various materials, now it’s the lenticular printing.
With this technique I realized that my photos and collages could have some more dynamic effects and tackle themes with a more conceptual approach. I also liked the idea of the possibility of interaction with the viewer, and him being seemingly conquered by the kinetic effects of the lenticular.The benefit of this technique is that it allows the animation of a static image, with in depth 3D effects, effects of image transition (Flip) etc.
I have exhibited in many national and international shows, galleries,art fairs,auctions in the frame of my 26 years of professional artistic carrer

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