大嘴鳥 (2021) Sculpture by Fengzhonyu

Sculpture - Stone, 11x7.1 in
$9,174
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這件名為「社交恐懼症的大嘴鳥」的石頭藝術品,以誇張的大嘴和沉默的表情展現了大嘴鳥的孤獨與不安。厚實的鳥喙如同阻隔外界的屏障,象徵著無法言說的心聲,眉眼低垂,彷彿在迴避外界目光。整體設計精巧,將鳥類獨特的個性與人類的情感巧妙融合,呈現出一種既強大又脆弱的內心世界。 這件大嘴鳥作品以石頭雕刻出獨特的靈魂,用誇張的大嘴與細膩的神情傳達內心的掙扎與孤寂。它超越了單純的造型,深刻刻劃出現代人面對社交壓力的無聲吶喊。無論擺放在何處,這隻大嘴鳥都將成為空間的焦點,為收藏者帶來無限的情感共鳴,是一件不可多得的藝術珍品,收藏它,就是收藏一段真實而動人的心境。 [...]
這件名為「社交恐懼症的大嘴鳥」的石頭藝術品,以誇張的大嘴和沉默的表情展現了大嘴鳥的孤獨與不安。厚實的鳥喙如同阻隔外界的屏障,象徵著無法言說的心聲,眉眼低垂,彷彿在迴避外界目光。整體設計精巧,將鳥類獨特的個性與人類的情感巧妙融合,呈現出一種既強大又脆弱的內心世界。

這件大嘴鳥作品以石頭雕刻出獨特的靈魂,用誇張的大嘴與細膩的神情傳達內心的掙扎與孤寂。它超越了單純的造型,深刻刻劃出現代人面對社交壓力的無聲吶喊。無論擺放在何處,這隻大嘴鳥都將成為空間的焦點,為收藏者帶來無限的情感共鳴,是一件不可多得的藝術珍品,收藏它,就是收藏一段真實而動人的心境。

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大嘴鳥社交恐懼孤獨石頭藝術內心掙扎

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一顆石頭,看似冷峻頑固,枯槁永遠。有時候,風格不朽,卻又世俗抗争,只是無言;有時候,是一種親切的介質,堅毅而至柔、自由而馳騁;有時候,是樸素,是一種自然、原始、澄清的美。不管是變得斑駁、褪色、粗糙也罷,或許會细心體會的渺若微塵,但是,都會變成不滅的生命脈絡。 每個雕刻都會無限遐想、慾望,或是激發一個虛擬、故事,或許想像原形構思。憑借過程的工藝,雙手都會有温度,讓一件一件成形生根,表情和意圖逐漸完善,傳達了顛覆的結果,無法復刻性而且獨一無二。 堅硬的石頭也能如泥如織,也能如鐵漢柔情。是褶皺和紋理的結合,是堅韌和精致的結合。簡單粗暴方式却賦予了柔情靈性的面貌,巧妙鏤、劈、敲、鑿的造型技法,運用木頭和鐵線的結拜,鑄造了「一切就好」。所以,每一件雕刻都带着自己的呼吸,會帶來一種何往而不遂。 雕刻一切随缘 常被我的視覺和詩意聯繫在一起,結果,石頭雕刻是屬於所有的自然和萬物。所謂自然,是一種瞬間與永恒之間,有限與無限之間,一切都不會無跡消失。所謂萬物,有生命和無生命,有情和無情,有感覺和無感覺,不會歸於塵土。雕刻作品主题是人物和動植物等等,廣闊無邊,是有存在感和生命感。所以,努力捕捉每一念瞬間、一個動作或一種感覺,讓它產生共鳴。 用石頭寫成的故事,展現出歷史脈絡與地方特色,有時候會凝固着時間的印記,有時候會流動行為之中。伴随着氣魄金戈鐵馬,也訴說着情懷文人墨客,有時候他們的生命是春天,有時候是寒冬;一方小小工作室,看遍千年芳華,勾勒不同歷史的人物。 女性故事會顯示細膩刻畫、體貼入微,以表情、姿勢和動作完善的雕刻。美學藝術為創作主題,形式表達具有文化、情感和審美,讓角色銓釋得淋漓盡致,讓魅力和形象完成說服。有時候是溫柔,有時又孤獨;有些是蓋花閉月,有些是端莊優雅。真的讓人見之不忘、思之如狂。 自然是非原生,會說話是非無言。鳥獸魚蟲的生動憨態可掬、活靈活現、絲絲入扣,仿佛真的有了思維和情感,悲歡和自在。花草樹木,綠葉滿枝也有落盡殘紅,有青有黃好像雕塑,千年磨削也會完刻。褪色、粗糙,在不足完滿見充足;劣化、缺陷、讓樸實本色的完美。恰到好處,一切就好,一切随缘。 頓悟 攏之在內,一種簡略、自然克制。張之在外,時空無限、唯美深遠。雖由人作,渾然忘我,痕迹泯然于石頭之中,即便是一條注定孤獨的道路,有所熱愛,便能心之所向。所有的審美,不僅要悦目,還要能賞心,更能追求的頓悟。 野生的代表是驚奇、感嘆,或是豢養的匠人、職人,「會說話的石頭」是等於野生。 風中游[...]

一顆石頭,看似冷峻頑固,枯槁永遠。有時候,風格不朽,卻又世俗抗争,只是無言;有時候,是一種親切的介質,堅毅而至柔、自由而馳騁;有時候,是樸素,是一種自然、原始、澄清的美。不管是變得斑駁、褪色、粗糙也罷,或許會细心體會的渺若微塵,但是,都會變成不滅的生命脈絡。

每個雕刻都會無限遐想、慾望,或是激發一個虛擬、故事,或許想像原形構思。憑借過程的工藝,雙手都會有温度,讓一件一件成形生根,表情和意圖逐漸完善,傳達了顛覆的結果,無法復刻性而且獨一無二。

堅硬的石頭也能如泥如織,也能如鐵漢柔情。是褶皺和紋理的結合,是堅韌和精致的結合。簡單粗暴方式却賦予了柔情靈性的面貌,巧妙鏤、劈、敲、鑿的造型技法,運用木頭和鐵線的結拜,鑄造了「一切就好」。所以,每一件雕刻都带着自己的呼吸,會帶來一種何往而不遂。

雕刻一切随缘

常被我的視覺和詩意聯繫在一起,結果,石頭雕刻是屬於所有的自然和萬物。所謂自然,是一種瞬間與永恒之間,有限與無限之間,一切都不會無跡消失。所謂萬物,有生命和無生命,有情和無情,有感覺和無感覺,不會歸於塵土。雕刻作品主题是人物和動植物等等,廣闊無邊,是有存在感和生命感。所以,努力捕捉每一念瞬間、一個動作或一種感覺,讓它產生共鳴。

用石頭寫成的故事,展現出歷史脈絡與地方特色,有時候會凝固着時間的印記,有時候會流動行為之中。伴随着氣魄金戈鐵馬,也訴說着情懷文人墨客,有時候他們的生命是春天,有時候是寒冬;一方小小工作室,看遍千年芳華,勾勒不同歷史的人物。

女性故事會顯示細膩刻畫、體貼入微,以表情、姿勢和動作完善的雕刻。美學藝術為創作主題,形式表達具有文化、情感和審美,讓角色銓釋得淋漓盡致,讓魅力和形象完成說服。有時候是溫柔,有時又孤獨;有些是蓋花閉月,有些是端莊優雅。真的讓人見之不忘、思之如狂。

自然是非原生,會說話是非無言。鳥獸魚蟲的生動憨態可掬、活靈活現、絲絲入扣,仿佛真的有了思維和情感,悲歡和自在。花草樹木,綠葉滿枝也有落盡殘紅,有青有黃好像雕塑,千年磨削也會完刻。褪色、粗糙,在不足完滿見充足;劣化、缺陷、讓樸實本色的完美。恰到好處,一切就好,一切随缘。

頓悟

攏之在內,一種簡略、自然克制。張之在外,時空無限、唯美深遠。雖由人作,渾然忘我,痕迹泯然于石頭之中,即便是一條注定孤獨的道路,有所熱愛,便能心之所向。所有的審美,不僅要悦目,還要能賞心,更能追求的頓悟。

野生的代表是驚奇、感嘆,或是豢養的匠人、職人,「會說話的石頭」是等於野生。

風中游 12/2023

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