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Still Life with Fruit and Calla Lilies (2019) 콜라주 Everett Spruill 로
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- 포장 (상자 또는 판지 포장) 모든 작품은 세심하게 보호되고 보험에 가입된 프리미엄 캐리어와 함께 배송됩니다.
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- 추적 가능한 온라인 정품 인증서 진품 인증서는 작품 코드를 스캔하여 언제든지 온라인으로 확인할 수 있습니다.
- 아티스트 가치 인증 전문가는 예술가의 작업과 경력을 연구하고 독립적이고 신뢰할 수있는 평균 가격 값을 설정합니다. 평균 가격 가치는 예술가를 주어진 기간 동안 가격대에 위치시킵니다. 전문가는 특정 작업에 대해 보다 정확한 추정치를 설정하도록 요청할 수도 있습니다.
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판매자 Everett Spruill
-
원작 (One Of A Kind)
콜라주,
캔버스의
아크릴
/
콜라주
- 치수 높이 30in, 폭 24in
- 작품의 상태 작품은 완벽한 상태입니다
- 프레이밍 이 작품은 액자가 없습니다
- 카테고리 콜라주 {가격} 이하 추상 미술
The background is a dynamic patchwork of geometric shapes in red, blue, yellow, and black, creating a striking contrast with the organic forms of the flowers and fruits. This juxtaposition of natural elements with abstract patterns invites viewers to explore the harmony between the structured and the organic.
“Still Life with Fruit and Calla Lilies” is a celebration of color and form, capturing the beauty of everyday objects through a modern, abstract lens. It’s a visual feast that invites contemplation and appreciation of the simple yet profound elements of life
관련 테마
An African American painter, photographer, and print-maker. Born Birmingham, Alabama USA. Everett Spruill attended Berea College, where he majored in Business. It was during this time that he painted watercolor paintings of landscapes and portraits in the tradition of the French Impressionist, but did not seriously entertain the idea of a career in the arts. While managing a Hotel in Miami, and with frequent visits to the Miami Museum, a Picasso exhibition changed his outlook as he was inspired by the simplicity and geometric patterns that formed the images. After relocating to Orlando, Spruill took up painting seriously and it was at this time that he created The "Old School Jazz and Blues" series of paintings and collages, inspired by the art of Romare Bearden. From that time on Spruill consistently created increasingly complex variations of art from recycled and re-purposed materials focusing on Jazz as a central theme. Spruill constantly challenges himself to source new materials and expand his resources. His first radical shift came in 1999, with the "Tribal Rhythms Series" in which he employs interlocking geometric shapes combined with graffiti techniques. It was around this time as well that he created his first prints in screen printing, linoleum cuts, and offset lithography. During the following decade, Spruill introduced texture into his art, which he came to call "Nuvo-stained glass" for its transparent qualities. From the mid-1990s to 2010, Spruill created a large body of work that responded in a general way to the childlike simplicity of creating art. During this time, the increasingly abstract collages of Spruill's paintings gave way to a multitude of materials from electronic components, textiles, recycled wallpaper, and decorative architectural elements. To create these works, the artist uses recycled and repurposed materials and digital technologies. In 2017, Spruill began making wire sculptures and developing architectural projects. Still residing in Orlando Florida with his many accolades, Everett's prints and paintings are most famous for his work in the areas of collage and cubist abstraction. Spruill's work is in public and private collections worldwide, including The Kia Center - Orlando Fl. , Disney World, The City of Orlando, and The Media Institute to name a few.