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Orchard (2018) 绘画 由 Eliza Matica
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
在帆布上
-
外形尺寸
33.5x24.8 in
单独工作的尺寸，不带框架： 高度 31.1in, 宽度 22.8in - 是否含画框 这件作品是诬陷
- 分类 画作 低于US$5,000 抽象主义
First time exposed on "Nuances" personal exhibition, at Centrul Cultural si de Tineret pentru UNESCO – “Nicolae Bălcescu” – Bucharest. August 2019.
The Apple Orchard
Poem by Rainer Maria Rilke
Come let us watch the sun go down
and walk in twilight through the orchard's green.
Does it not seem as if we had for long
collected, saved and harbored within us
old memories? To find releases and seek
new hopes, remembering half-forgotten joys,
mingled with darkness coming from within,
as we randomly voice our thoughts aloud
wandering beneath these harvest-laden trees
reminiscent of Durer woodcuts, branches
which, bent under the fully ripened fruit,
wait patiently, trying to outlast, to
serve another season's hundred days of toil,
straining, uncomplaining, by not breaking
but succeeding, even though the burden
should at times seem almost past endurance.
Not to falter! Not to be found wanting!
Thus must it be, when willingly you strive
throughout a long and uncomplaining life,
committed to one goal: to give yourself!
And silently to grow and to bear fruit.
相关主题
Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter. We will see...
2018-2019 Postwar Abstract Painting MoMA New York,New York, United States
2001-2005 Master Degree in Psychology Bucharest, Romania
1994-1999 Master Degree Philosophy Bucharest, Romania
All my paintings have in common a mental reality, not a physical one.
I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting.
I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized.
I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting.
In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size.
I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized.
In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search.
I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both.
This is what those who have already started digesting my paintings from the three years since I woke up in painting know this.
So let's see outside what is not foreign to us inside!
-
国籍:
罗马尼亚
- 出生日期 : 1974
- 艺术领域： 具有认证艺术家价值的艺术家的作品,
- 团体： 认证的艺术家 罗马尼亚当代艺术家
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