Jealousy (2019) Painting by Eliza Matica

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Seller Eliza Matica

Fine art paper, 8x9 in

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
Mounted on Wood Stretcher frame
This artwork appears in 2 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions 31.9x37.4 in
    Dimensions of the work alone, without framing: Height 31.1in, Width 35in
  • Framing This artwork is framed
  • Categories Paintings under $5,000 Surrealism
Jealousy. 2019. Oil on canvas. Matte oil/ regular oil. Pointillism. First time presented at my personal exhibition "Rage" at Qreator- Bucharest - 12.12.2019. More images from exhibition :. paintedbyme.portfolio.site/rage-12122019-qreator-bucharest. I Loved You. I loved you, and I probably still do. And for a while the feeling may remain. But let my [...]
Jealousy. 2019. Oil on canvas.
Matte oil/ regular oil. Pointillism.
First time presented at my personal exhibition "Rage" at Qreator- Bucharest - 12.12.2019
More images from exhibition :
paintedbyme.portfolio.site/rage-12122019-qreator-bucharest

I Loved You

I loved you, and I probably still do.
And for a while the feeling may remain.
But let my love no longer trouble you,
I do not wish to cause you any pain.
I loved you; and the hopelessness I knew,
The jealousy, the shyness- though in vain-
Made up a love so tender and so true
As may God grant you to be loved again.

Ya vas lyubíl

Я вас любил: любовь ещё, быть может,
В душе моей угасла не совсем;
Но пусть она вас больше не тревожит;
Я не хочу печалить вас ничем.
Я вас любил безмолвно, безнадежно,
То робостью, то ревностью томим;
Я вас любил так искренно, так нежно,
Как дай вам Бог любимой быть другим.

Alexander Pushkin

Related themes

JealousyLoveChainsWomenFeelings

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Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter. We will see. 2018-2019 Postwar Abstract Painting MoMA New York,New York, United States. 2001-2005 Master [...]

Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter. We will see...

2018-2019 Postwar Abstract Painting MoMA   New York,New York,                                      United States                                                            
2001-2005 Master Degree in Psychology Bucharest, Romania
1994-1999 Master Degree Philosophy Bucharest, Romania

All my paintings have in common a mental reality, not a physical one.
I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting.
I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized.
I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting.
In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size.
I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized.

In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search.
I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both.
This is what those who have already started digesting my paintings from the three years since I woke up in painting know this.
So let's see outside what is not foreign to us inside!

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