Racines (2024) Painting by Dominique-Marie Gibaud Ubelmann

Acrylic on Canvas, 10.6x16.1 in
$1,855.91
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Fine art paper, 8x12 in

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  986 px  

1500 px
Dimensions of the file (px) 986x1500
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Art image bank
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Cardboard
This artwork appears in 2 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 10.6in, Width 16.1in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Abstract Geometric
Je suis sensible à l’interconnexion des choses vivantes, à la grâce qui existe dans la nature et au lien ténu existant entre ce qui va être, ce qui est, et ce qui va disparaître. About this artwork: Classification, Techniques & Styles. Acrylic. Paint using traditional pigments mixed with synthetic resins. Technic Painting. Painting is an art form of [...]
Je suis sensible à l’interconnexion des choses vivantes, à la grâce qui existe dans la nature et au lien ténu existant entre ce qui va être, ce qui est, et ce qui va disparaître .

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Les inspirations pour mon art proviennent d'un besoin intérieur profond. Mon style est un mélange de fantaisie, poésie, couleurs vives et joie, dureté aussi parfois, voire dérision. Le sujet vient de manière spontanée [...]

Les inspirations pour mon art proviennent d'un besoin intérieur profond. Mon style est un mélange de fantaisie, poésie, couleurs vives et joie, dureté aussi parfois, voire dérision.  Le  sujet vient de manière spontanée puis une fois que j’entrevois l’ensemble j’apprécie de travailler longuement à la manière d’un artisan .

Je m’efforce de de ne pas utiliser d’outil, la main laissant filtrer, me semble-t-il, plus d’humanité. 

Au fil du temps l’abstrait géométrique s'est introduit dans mon univers parallèlement à un intérêt accru pour la musique. J’aime travailler sur le moment où une droite se transforme en courbe sans casser l’harmonie du mouvement.

Je n'ai pas d'intention de départ quant à la manière dont les gens devraient interpréter ce que je  fais, je cherche, me semble-t-il, seulement cette sensation de plénitude que j’ai souvent lors de ma concentration sur mon travail.  Est-ce que ce moment privilégié peut se transmettre, se partager ? Je le souhaite puisque s’il n’y a pas de transmission, il n’y a pas de vie.

Le musée de La Pinacothèque du Luxembourg  m’a récemment délivré  un certificat de mérite artistique  lors de ma  participation à la sélection internationale du Luxembourg Art Prize 2024

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