On Californian music (2021) Painting by Desag

Acrylic on Linen Canvas, 13x16.1 in
$908.75
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Fine art paper, 8x10 in

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Mounted on Wood Stretcher frame
This artwork appears in 19 collections
Cette oeuvre est une acrylique et collage sur châssis toilé lin en 6F- 33x41cm. J'ai commencé cette toile et son histoire en 2010. Il y a 11 ans maintenant. je ne m'en souvenais plus trop. J'avais dû laisser tomber la construction de cette peinture. C'était à coté de Sanguinet dans les Landes du sud ouest de la France. Le climat était chaud et parfois [...]
Cette oeuvre est une acrylique et collage sur châssis toilé lin en 6F- 33x41cm.
J'ai commencé cette toile et son histoire en 2010. Il y a 11 ans maintenant. je ne m'en souvenais plus trop.. J'avais dû laisser tomber la construction de cette peinture.
C'était à coté de Sanguinet dans les Landes du sud ouest de la France. Le climat était chaud et parfois les plages me faisaient penser aux paysages de Californie comme Puerco beach ou Amarillo beach. Dans mon atelier, il m'arrivait d'écouter des groupes de musique californiens, comme Eagles (Hôtel California), les Doors (lite my fire), Metallica (Enter Sandman), Blink-182 (All the small things) etc...

J'avais donc commencé sur petite toile sur ce genre de musique, sous le ciel bleu du sud-ouest de la France. Je ne m'en souviens pas, j'ai dû laisser tomber la construction de cette peinture. À cette époque, je vivais très mal une séparation et j'abusais trop souvent du whisky.
Sauf que, 11 ans après, je la retrouve dans le fond d'une malle et plein de mes souvenirs me sont revenus subitement. J'ai probablement remisé ma toile. Là, je crois que j'ai battu mon record de "passage" entre deux couches de couleurs.
Cette toile m'est revenue à moi 11 ans plus tard ! Je n'ai pas eu de mal à la reprendre, et je l'ai terminée en deux jours sans aucune hésitation. Idem pour trouver le titre, je l'avais déjà en tête. Il est arrivé naturellement, simplement comme l'effet du miel qui vous coule dans la gorge !
Je suis trop contant de vous faire découvrir ce travail.
Au dos de la toile, il y a maintenant deux signatures. Une datée en 2010 avec un feutre rouge, et une autre datée de 2021, avec un feutre noir. Deux signatures du même artiste.

Desag

Related themes

CalifornieHôtel CaliforniaThe DoorsMetallicaLandes

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Desag is a contemporary French artist whose work explores the dynamic interplay between color and form. His art reflects a profound interest in the power relationships that emerge from these interactions, striving [...]

Desag is a contemporary French artist whose work explores the dynamic interplay between color and form. His art reflects a profound interest in the power relationships that emerge from these interactions, striving to capture their alchemical essence on canvas. Desag’s approach involves crafting varied, aesthetic, and vividly colorful compositions that engage both the eye and the mind.

Central to Desag's artistic philosophy is the idea that invisible flows and currents traverse our universe. These mystical forces serve as foundational elements in his work, shaping the structure of his paintings. Desag classifies his creations into two distinct opuses: Earthly, which draws inspiration from the ground, and Aerial, influenced by the sky. Each opus features unique graphic styles, but their often-chaotic elements converge harmoniously in the final composition.

Desag predominantly works with acrylics but occasionally incorporates oil paints and pigments. His preferred surfaces include square-format canvases ranging from 20x20 cm to 120x120 cm, as well as wooden panels and paper. The artist meticulously prepares his canvases to suit the specific requirements of each piece.

When encountering Desag's work in an exhibition, viewers are invited on a vibrant and intricate journey. Their gaze is guided along pathways rich in allure and color, offering transitions and discoveries across the canvas. Each piece presents an aesthetic experience that is both visually captivating and intellectually stimulating.


The Artist was highlighted in an article in ArtMajeur Magazine:

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