



Idan (2023) 雕塑 由 Cyril Emmanuel (X the Villain)
购买许可证以将此图像用于您的网站、通信或销售衍生产品。
Usage: 网络许可证
1125 px | ||
![]() |
1500 px |
文件尺寸 (px) | 1125x1500 |
全球使用 | 是 |
用于多点支持 | 是 |
用于任何类型的媒体 | 是 |
转售权 | 没有 |
最大打印数量 | 0 (Zero) |
拟出售的产品 | 没有 |
购买后立即下载
此图片可以用许可证下载: 您可以随时下载它们。
限制
所有在ArtMajeur的图像是由艺术家创作的原创作品,所有权利是严格保留的。获得许可证后有权根据相应条款使用或利用图像。可以进行微小的修改,如重构或重新聚焦图像,使其完全符合新项目要求,但是,禁止进行任何可能损害原始作品的修改。其完整性(形状修改,扭曲,切割,改变颜色,添加元素等),除非事先从艺术家获得书面授权。
定制许可证
如果您的用途不在我们的标准许可证范围内,请联系我们获取定制许可证。
艺术图片银行-
原创艺术品 (One Of A Kind)
雕塑,
木
在木上
- 外形尺寸 高度 9.8in, 宽度 6.3in / 4.00 kg
- 是否含画框 此作品未装裱
- 适合户外? 没有, 这件艺术品不能在户外展示
- 分类 雕塑作品 低于US$5,000 观念艺术 奇妙
“Idan ki dan”, a Yoruba slang on the trending curve, I use it to refer to my creative colleagues that keep bursting my brain. In Yoruba, it is used for the expression of something wonderful and charming.
It is important to state that, Idan holds within it positive and negative connotations, it is all about context. Therefore, understanding what context Idan is used is crucial to know the message passed.
相关主题
Cyril Oluwamuyiwa Emmanuel alias X the Villain, is a contemporary conceptual and performance artist based in Lagos, Nigeria. Drawing heavily from his Yoruba heritage and Egyptian ancestry, Cyril's work is deeply rooted in culture, reflected in his use of palm oil for paintings, and charcoal for sculptures.
Self-taught and inspired by Leonardo da Vinci, Tehching Hsieh, Yinka Shonibare, and Jean Michel Basquiat, Cyril developed a distinctive style that explores African identities, cultures, and global history. His artworks often depict society's outcasts, addressing themes such as identity crisis, discrimination, and mental health. As an advocate for human rights and environmental sustainability, he aims to create immersive and interactive experiences accessible to all, including individuals with disabilities.
In the realm of performance art, X the Villain’s work is a visceral exploration of societal fractures caused by discrimination, racism, and segregation. He immerses himself in the raw narratives of these issues, pushing the boundaries of performance art to provoke profound introspection. Through his performances, he aspires to dismantle preconceptions, instigate uncomfortable conversations, and inspire collective reckoning with the complexities of our shared humanity. Every gesture and movement is a deliberate act aimed at breaking down the barriers that divide us, urging audiences to confront the uncomfortable truths embedded in our social fabric.