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Portrait of Lase (2025) 绘画 由 Cyril Emmanuel (X the Villain)
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
粉彩
/
丙烯
/
木炭
在帆布上
- 外形尺寸 高度 20in, 宽度 16in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$1,000 观念艺术 裸体
It fascinates me a lot because, I can tell a lot about a person just by observing their body anatomy. This a 16 X 20 inches acrylic, charcoal and oil pastels on canvas painting.
Lase is a friend of mine that keeps dropping by my studio for the past 6 weeks, I have come to develop a sense of empathy for him by observing his body change slightly without any cause for alarm. I am able to understand that your choices and habits, can alter your body in ways an artist would be glad to capture. Even though I frequently see the tattoos on his body, I discovered that it gives off a illusion of new tattoos were added to his body of gallery.
I choose to represent him using oil pastel on canvas because of the vibrant colors and manipulative properties. I wish to elevate every body anatomy that falls below society’s standard of beauty, by painting them as sculptural statures of elegance.
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Cyril Oluwamuyiwa Emmanuel alias X the Villain, is a contemporary conceptual and performance artist based in Lagos, Nigeria. Drawing heavily from his Yoruba heritage and Egyptian ancestry, Cyril's work is deeply rooted in culture, reflected in his use of palm oil for paintings, and charcoal for sculptures.
Self-taught and inspired by Leonardo da Vinci, Tehching Hsieh, Yinka Shonibare, and Jean Michel Basquiat, Cyril developed a distinctive style that explores African identities, cultures, and global history. His artworks often depict society's outcasts, addressing themes such as identity crisis, discrimination, and mental health. As an advocate for human rights and environmental sustainability, he aims to create immersive and interactive experiences accessible to all, including individuals with disabilities.
In the realm of performance art, X the Villain’s work is a visceral exploration of societal fractures caused by discrimination, racism, and segregation. He immerses himself in the raw narratives of these issues, pushing the boundaries of performance art to provoke profound introspection. Through his performances, he aspires to dismantle preconceptions, instigate uncomfortable conversations, and inspire collective reckoning with the complexities of our shared humanity. Every gesture and movement is a deliberate act aimed at breaking down the barriers that divide us, urging audiences to confront the uncomfortable truths embedded in our social fabric.