Pharaoh X (2024) 绘画 由 Cyril Emmanuel (X the Villain)

美术纸, 9x8 in

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艺术图片银行
  • 原创艺术品 (One Of A Kind) 绘画, 丙烯 在帆布上
  • 外形尺寸 高度 17.7in, 宽度 15.8in
  • 艺术品状况 艺术品完好无损
  • 是否含画框 此作品未装裱
  • 分类 古典主义 奇妙
The first variant of X, the first champion of Anubis. Here lies the origin story of X the Villain. This original acrylic painting on canvas was immediately collected by a fellow artist. 关于这件艺术品: 分类, 技术技巧 & 款式. 丙烯. 使用传统颜料与合成树脂混合的油漆。. 技术 绘画. 绘画是一种通过美学应用有色液体在表面上绘画的艺术形式。画家在诸如纸张,岩石,帆布,木材,树皮,玻璃,混凝土和许多其他基材等支撑物上表现出非常个性化的表达。 代表作品或发明作品,绘画可以是自然主义的,具象的或抽象的。它可以具有叙述性,描述性,象征性,精神性或哲学性的内容。. [...]
The first variant of X, the first champion of Anubis. Here lies the origin story of X the Villain. This original acrylic painting on canvas was immediately collected by a fellow artist.

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EgyptAnubisPharaohEgyptianX

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Cyril Oluwamuyiwa Emmanuel alias X the Villain, is a contemporary conceptual and performance artist based in Lagos, Nigeria. Drawing heavily from his Yoruba heritage and Egyptian ancestry, Cyril's work is deeply [...]

Cyril Oluwamuyiwa Emmanuel alias X the Villain, is a contemporary conceptual and performance artist based in Lagos, Nigeria. Drawing heavily from his Yoruba heritage and Egyptian ancestry, Cyril's work is deeply rooted in culture, reflected in his use of palm oil for paintings, and charcoal for sculptures.
Self-taught and inspired by Leonardo da Vinci, Tehching Hsieh, Yinka Shonibare, and Jean Michel Basquiat, Cyril developed a distinctive style that explores African identities, cultures, and global history. His artworks often depict society's outcasts, addressing themes such as identity crisis, discrimination, and mental health. As an advocate for human rights and environmental sustainability, he aims to create immersive and interactive experiences accessible to all, including individuals with disabilities.
In the realm of performance art, X the Villain’s work is a visceral exploration of societal fractures caused by discrimination, racism, and segregation. He immerses himself in the raw narratives of these issues, pushing the boundaries of performance art to provoke profound introspection. Through his performances, he aspires to dismantle preconceptions, instigate uncomfortable conversations, and inspire collective reckoning with the complexities of our shared humanity. Every gesture and movement is a deliberate act aimed at breaking down the barriers that divide us, urging audiences to confront the uncomfortable truths embedded in our social fabric.

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