Les vaccins Mouillés d’Albert le chat rose (2024) Painting by Carrie Joseph Vouteau

Acrylic on Paper, 25.6x23.6 in
$676.33
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Fine art paper, 10x8 in

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Les Vacances Mouillées d'Albert, le Chat Rose :. Albert, le chat rose, se trouvait en bord de mer. Mais oh là là, ce n'était vraiment pas sa tasse de thé! D'abord, son maillot de bain ne lui plaisait pas du tout. Une marque ennuyeuse avec des ancres marines. Albert détestait les ancres. Il se rêvait plutôt dans un élégant maillot à rayures roses et [...]
Les Vacances Mouillées d'Albert, le Chat Rose :
Albert, le chat rose, se trouvait en bord de mer. Mais oh là là, ce n'était vraiment pas sa tasse de thé ! D'abord, son maillot de bain ne lui plaisait pas du tout. Une marque ennuyeuse avec des ancres marines... Albert détestait les ancres. Il se rêvait plutôt dans un élégant maillot à rayures roses et blanches, comme un vrai félin stylé. Mais là, entre la chaleur du sable, les cris des mouettes et l'eau salée qui lui chatouillait les moustaches, Albert ne s'amusait pas du tout.
Le seul point positif ? Les poissons. Albert adorait les poissons ! Surtout son grand copain Max, un poisson de taille moyenne, rouge et vif. Ils s'étaient rencontrés lors d'une précédente escapade, et Albert avait immédiatement pensé que Max ferait un excellent déjeuner. Mais très vite, il s'était attaché à ce drôle de poisson qui savait si bien raconter des histoires de coraux et de vagues. C’était gênant. Comment résister à l'envie de croquer un ami ? Car, après tout, "y’a des choses qui ne se font pas", comme disait Albert.
Ce jour-là, sur la plage, Albert se promenait nonchalamment avec son parasol sous le bras, essayant de fuir l'idée alléchante de transformer Max en sushi. « Il est mon ami », se répétait-il en s’éloignant du bord de l’eau. « Manger ses amis, ce n’est pas ce qu’un chat de classe ferait ! » Mais les vagues lui chuchotaient à l’oreille, et son ventre grondait d’envie.
Après quelques heures à éviter la tentation, Albert eut une idée lumineuse. Pourquoi rester ici à souffrir en bord de mer, à lutter contre ses instincts ? Il pourrait bien aller rendre visite à la famille Vouteau, et surtout à Carrie ! Ah, Carrie… L'artiste qui aimait tant le croquer dans ses carnets. Elle le dessinait sous tous les angles : sautant sur des coussins, jouant à cache-cache dans le jardin ou, parfois, en costume de super-héros. Elle ne lui ferait jamais porter un maillot de bain ridicule, elle !
Sans perdre une minute, Albert attrapa son téléphone à coquille (rose, bien sûr), et réserva un billet de train. Au revoir plage, bonjour la Savoie !
Dans le train, Albert se plongea dans ses pensées. Il adorait voyager, surtout quand c’était pour échapper à un dilemme aussi cornélien que celui de manger son ami. Il s’imaginait déjà installé confortablement dans l’atelier de Carrie, posant fièrement sur un tabouret, pendant qu’elle immortaliserait son pelage rose sous les pinceaux. Elle saurait, comme personne, rendre hommage à sa beauté féline et à son charme irrésistible.
Pendant ce temps, Max, resté dans la mer, fit un petit clin d'œil à une mouette et plongea dans les profondeurs, heureux d’être, pour cette fois encore, épargné.

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Born in Paris to a Moroccan mother and a Caribbean father, Carrie Joseph VouTeau – CVT grew up between the vibrancy of Algiers, where her parents worked as cooperants, and the more austere atmosphere of Savoie. [...]

Born in Paris to a Moroccan mother and a Caribbean father, Carrie Joseph VouTeau – CVT grew up between the vibrancy of Algiers, where her parents worked as cooperants, and the more austere atmosphere of Savoie. From an early age, she found refuge in literature and the arts, setting the foundation for a life entirely devoted to creativity. After attending the Beaux-Arts, she traded paintbrushes for books, becoming a bookseller, only to return to painting later as an independent artist. Today, she makes a living through both her art and her writing.

Signing her works CVT, she is a multifaceted artist—both a painter and a writer. Her pictorial work is deeply influenced by her multicultural background and her passion for blending genres. Her characters oscillate between the unreal and the real, capturing a humanity tinged with melancholy and wonder. She draws inspiration from various influences, merging comics, manga, and classical painting to bring to life beings that do not exist but could.

Her work often takes the form of a denunciation of injustice, using painting as an engaged form of expression, where literary references come to life on the canvas. “La Vie devant soi,” “Les Fleurs du mal,” “1984”—all these texts find new meaning through her art. But CVT is also the author of a unique literary universe. She is best known for Albert le chat rose, a character she first painted before bringing to life through a book series. Her imagination also unfolds in a fantasy trilogy for readers aged 7 to 77, which has been translated into English and Italian. At the same time, she delves into deeper themes in powerful works such as “Les Maux Passants,” “Batterie Faible,” and “Qui âne me suive.” She also engages in a literary reflection on consolation, continuing the dialogue initiated by Stig Dagerman. In “Notre besoin de consolation est impossible à rassasier,” the Swedish author expressed an insatiable quest for solace. In response, CVT takes a more assertive stance in “Notre besoin de consolation était impossible à rassasier,” offering a radical and personal vision of this existential theme. Whether wielding a brush or a pen, Carrie Joseph VouTeau weaves a universe where art and literature intertwine, giving birth to works that are as visual as they are narrative, as engaged as they are imaginative.

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