L'habit ne fait pas le moine I (2024) Painting by Carole Guénault

Acrylic on Paper, 25.6x23.6 in
$764.65
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic / Graphite on Paper
  • Dimensions 26.4x24.4 in
    Dimensions of the work alone, without framing: Height 25.6in, Width 23.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Paintings under $1,000 Pop Art Men portraits
Comme la barbe ne fait pas le philosophe, l'habit ne fait pas le moine et sous la chaire, la fragilité de l'humain se révèle. Dessin au graphite, peinture acrylique et prothèses dentaires! (radios) About this artwork: Classification, Techniques & Styles. Acrylic. Paint using traditional pigments mixed with synthetic resins. Graphite. Black and white [...]
Comme la barbe ne fait pas le philosophe, l'habit ne fait pas le moine et sous la chaire, la fragilité de l'humain se révèle.
Dessin au graphite, peinture acrylique et prothèses dentaires ! (radios)

Related themes

Humanité

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Née sous un ciel bruineux de Normandie, bercée par les histoires d’un grand-père maternel et celles de Maupassant, C.G. Carole peint, crayonne, écrit, modèle, photographie depuis l’enfance. D’abord autodidacte, [...]

Née sous un ciel bruineux de Normandie, bercée par les histoires d’un grand-père maternel et celles de Maupassant, C.G. Carole peint, crayonne, écrit, modèle, photographie depuis l’enfance. 

D’abord autodidacte, elle devient licenciée en Arts Plastiques à l’université Panthéon Sorbonne en 2020. Son parcours de vie l’amène en recherche à l’université Paul Valéry de Montpellier où elle obtient un Master en Pratiques Plastiques Contemporaines en 2023. 

L’artiste explore «l’in-évidence» de la vie. Sa sensibilité s’oriente vers une conversation intime entre l’humain et l’animalité transcendée par la lumière. Cet Art singulier et innovant dévoile une émotion à fleur de peau inspirée du Moyen Age, des Nouveaux Réalistes, mais aussi des cultures originelles internationales. Rakus, gravures, dessins aux graphites, récupérations d’objets, notamment d’horloges, font de ses compositions ou installations des hybridations figuratives et sensitives proche du fantômisme*. 

*Henri Michaux

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