Encore et toujours (La maudite machine no.4) (2021) Painting by Bent

Oil on Paper, 27.3x36 in
$312.59
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Seller Bent
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 29 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Paper
  • Dimensions Height 27.3in, Width 36in
  • Framing This artwork is not framed
  • Categories Paintings under $500 Abstract Abstract
Dans la veine d'une série déjà entamée sur la ''maudite machine qui nous avale au quotidien''... Ce quatrième extrait de la série '' LA MAUDITE MACHINE'' porte le reflet de ma naïveté face au fait que je croyais que le confinement allait avoir l'effet de ralentir nos modes et réflexes de productions[...]
Dans la veine d'une série déjà entamée sur la ''maudite machine qui nous avale au quotidien''... Ce quatrième extrait de la série '' LA MAUDITE MACHINE'' porte le reflet de ma naïveté face au fait que je croyais que le confinement allait avoir l'effet de ralentir nos modes et réflexes de productions capitalistes à outrance, notre stress quotidien et tout ce qui en découle. Force est de constater que ''LA MAUDITE MACHINE'' nous a véritablement avalé comme le disait si bien Pierre Flynn. L'œuvre sera soigneusement empaquetée dans un tube, avec une signature et une date au dos de l'œuvre tout comme un certificat d'authenticité y sera aussi joint.

Related themes

Crayons À L'huileRed Rosin PaperAbstraitCapitalisme

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Abstract Crayons à l'huile red rosin paper abstrait capitalisme
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Bent Portrait
Bent
Canada
Multidisciplinary artist, BENT was born in 1975 in the southwest of Montreal. Self-taught, his influences are as broad as a palette with 1000 colors at a time. From Pollock to Basquiat, via Asger Jorn, Jacqueline[...]

Multidisciplinary artist, BENT was born in 1975 in the southwest of Montreal. Self-taught, his influences are as broad as a palette with 1000 colors at a time. From Pollock to Basquiat, via Asger Jorn, Jacqueline de Jong, Jeppesen Victor-Martin or even Gil Joseph Wolman, the false-painter he is trying somehow to develop visual reflections from a desire to turn life upside down. Since 2004, he has had a little more than ten solo exhibitions to his credit. He also participated in 7 collective exhibitions.

He lazily runs after his brushes which he lugs from Montreal to Zurich and under the fine misty rain of Copenhagen, as well as under the temperature, as changeable as his moods, of Iceland.

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