Seller Badia
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 618 px | ||
|
1500 px |
| Dimensions of the file (px) | 618x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
/
Spray paint
/
Charcoal
/
Marker
/
Pastel
on Canvas
- Dimensions Height 39.4in, Width 15.8in
- Framing This artwork is not framed
- Categories Figurative Portrait
Self-taught, I learnt drawing and painting techniques by myself, in an almost instinctive way. I’ve always been drawing on all materials I could find since my earliest childhood, illustrating all my textbooks at school.
Human nature has always been my preference. I however decided to keep going forward by drawing and painting characters from afar and from the back, then I decided to get them closer by zooming them in and bluring the surroundings. Few years ago, I finally turned the characters around and found interest in their facial expressions and features.
If I’ve always been influenced by Viennese painters such as Gustave Klimt and Egon Schiele from the beginning of the 20th century, while also being moved by Caravaggio and Berthe Morisot, among other artists such as Marc Chagall and Gérard Garouste, who both add an enchanting and fantastic touches to their canvas.
My paintings often revolve around women figures, giving priority to the feature that speaks to me the most: the eyes.
Painting helps me to unwind and most of the time I’m not even sure what what the outcome of a sketch will be. I usually paint what I like, people I’ve always admired; Marie Curie or Umm Kulthum among others.
Photography is also something that I enjoy, taking pictures of people who call myself to mind. I mostly sketch women portraits in the metro or cafés in Paris, which can later turn into paintings.
I have learnt to tame space and do quick sketches when attending Françoise Frugier’s sculpture workshop in Paris, a workshop that turned out to be really beneficial to me.
My skills have evolved tremendously since I've been oil painting for a long time. Since I work quite fast, acrylic painting turned out to be a more convenient technique for me. I mix together several methods by adding Indian ink, walnut stain, oil pastel and charcoal to my works.
-
Nationality:
FRANCE
- Date of birth : unknown date
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Contemporary French Artists
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