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5G (2023) Printmaking by Aurélie Charpentier (ACH)
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
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Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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| 1126 px | ||
|
1500 px |
| Dimensions of the file (px) | 1126x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
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| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Printmaking,
Engraving
/
Acrylic
/
Spray paint
on Other substrate
- Dimensions Height 31.5in, Width 23.6in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Printmaking under $5,000 Conceptual Art Women Portraits
This new series of paintings is an observation of human behavior in the face of our society of overconsumption.
The painting "5G" denounces the implementation of 5G networks, in an already saturated world, which has been the source of much concern by the impact of the waves. It was said, among other things, that the 5G tests would have caused the death of hundreds of birds.
Painted then engraved plywood.
Related themes
Aurélie Charpentier is a contemporary French artist known for her intuitive approach to creation, emphasizing the mastery of materials such as wood, plywood, and paint. Charpentier draws inspiration from the constant presence of music and poetry, which play a vital role in her artistic process. She has a particular affinity for wood, describing it as a living material that is warm to the touch and rich in imagery.
Her artistic journey is marked by a deep, almost autobiographical relationship with wood, which she often uses in its scrap form, salvaged from construction sites. By transforming this so-called "bastard material" into art, she not only showcases the practical and technical variety of wood but also reflects on environmental sustainability and the future of materials.
Charpentier has developed a unique method that she refers to as "pictoengraving," a technique she invented that involves layering different shades of plywood. Through processes such as engraving, sawing, and sculpting, she reveals the extracted material, where the negative space paradoxically creates positive elements like volume and light. In certain works, she enhances her pieces with pictorial additions, further enriching the visual experience. Her dedication to exploring the interplay between materiality and artistic expression defines her work and contributes to her recognition as an innovative figure in contemporary art.
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Nationality:
FRANCE
- Date of birth : 1981
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
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