Covid doll procession in progress (2020) 雕塑 由 Anne-Marie Delaunay-Danizio

This work is not for sale but a preview. 关于这件艺术品: 分类, 技术技巧 & 款式. String Art. 该技术由通常由指甲拉长的螺纹排列组成,以产生几何形状或图形。. 挂毯. 用于在织机或手工上制成织物的技术,该织物的编织代表装饰图案。. 线. 该技术包括根据纺织线创建作品,并可以通过添加颜色或材料进行装饰。. 局外人艺术 / Outsider Art. 吉恩·杜布菲(Jean Dubuffet,1901-1985年)于1945年发明了这个想法,目的是创作带有原始图形的作品,而这些图形都没有学术参考。他还将建议“像孩子一样画画”,并鼓励自学成才的艺术家。. 技术 雕塑. 雕塑是一种艺术活动,包括设计和制作体积、浮雕、圆形(雕像)、高浮雕、低浮雕、造型、直接雕刻、焊接或组装的形状。雕塑一词也指由这项活动产生的物体。.
This work is not for sale but a preview.
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I delight in colors, and in creating organic shapes, abstract landscapes, and bright critters. My art is a dance of trauma and celebration, in which lust for life transcends the human body, and challenges boundaries [...]

I delight in colors, and in creating organic shapes, abstract landscapes, and bright critters.

My art is a dance of trauma and celebration, in which lust for life transcends the human body, and challenges boundaries between genders, human and non-human, body and landscape.

With humor, visual puns, evocations of organisms, and of internal and external body parts, I create poetics of biology.

By staining, creating random shapes, redesigning them and erasing them, I let complex and contradictory emotions guide me through many shades of feeling.

I define my approach as drawing on canvas, using acrylic ink, paint markers, vine charcoal and graphite pencil to define shapes, along with staining and layering my canvases.

 

Painting was my first love in the 1970s Paris. Throughout a career that comprises experimenting with several media and long hiatuses, I only reconnected with my passion for painting after enrolling in a MFA program at the NHIA/IAD at New England College in 2018.

 

My artistic genealogy originates in the Abstract and Boston Expressionist movements, notably from the artworks by Arshille Gorky, Willem de Kooning, Helen Frankenthaler, and Philip Guston. I feel a strong kinship with artists of my generation who became prominent in the 1980s, especially Basquiat and Keith Harring, or have a strong presence in our early 21st century such as Sheila Peppe and Carrie Moyer.

 

My painting is now morphing into three-dimensional shapes and I have recently been experimenting with textile sculptures, alternating my days between my artist studio in Lowell, where I focus on painting and my home studio in Waltham where I spend my time in building, weaving shapes with wires and threads.

 

These studios are the spaces that allow me to generate suggestive shapes with multiple and open-ended meanings. I am in my body, a body that moves and projects movement and rhythms into the canvas, or follows the flow of creating three-dimensional objects.

Also a creative writer of fiction and non-fiction, I grapple in my artistic and writing practice with contemporary issues of gender identity, dealing with the unnamed struggles I faced as a young artist in a female body in the 1970s Paris.

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丙烯在帆布上 | 24x18 in
不出售
雕塑 - 线 | 36x32 in
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丙烯在帆布上 | 18x24 in
不出售
雕塑 - String Art | 17.5x7.5 in
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