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Blue Curve (2019) Painting by Annalisa Giorgia Canella
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
1014 px | ||
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1500 px |
Dimensions of the file (px) | 1014x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
/
Pencil
/
Collages
on Canvas
- Dimensions Height 39.4in, Width 27.6in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $5,000 Figurative
Però una cosa interessante da spiegare è la tecnica.
La tela usata è un oggetto di recupero, lasciata in ammollo per alcune ore con infusi di tè, caffè, cacao ed una volta asciugata viene dipinta. Il collage sui capelli sono fiori secchi, più esattamente ortensie provenienti dal mio giardino.
Nata alle porte di Milano, in Italia, e armata di un background accademico in Belle Arti e una breve esperienza come grafica, Annalisa Canella si è trasferita a Roma per iniziare una carriera come Art Director freelance per le principali agenzie pubblicitarie internazionali. Nello stesso periodo ha lavorato anche come illustratrice, utilizzando varie tecniche come collage, pastelli, china, pantone e aerografo, per creare materiale pubblicitario e promozionale.
Tra il 1986 e il 1991 ha ricoperto il ruolo di Senior Art Director e Creative Director presso la Publicis/FCB-MAC, dove è stata responsabile dell'ideazione e realizzazione delle principali campagne.
Nel corso di quegli anni vince una serie di premi e riconoscimenti internazionali incluso un Leone di Bronzo all’ International Advertising Film Festival di Cannes e un concorso internazionale della Twentieth Century Fox per il poster del film "Predator" di Arnold Schwarzenegger. Contemporaneamente e per due anni consecutivi, Annalisa ha insegnato Art Direction all'Istituto Europeo di Design di Roma.
Poi la sua indole curiosa la spinge a cimentarsi in televisione e nel 1992 accetta l'incarico di Direttore Creativo in Fininvest, dove si occupa dell'ideazione e della realizzazione di tutta la grafica per il TG5, telegiornale di punta dell'azienda.
Infine, insieme a due soci in affari, nel 1994 Annalisa ha fondato l'agenzia creativa boutique Ensemble, e ha lavorato come Senior Art Director e Image Supervisor fino al dicembre 2002.
Dopo una brillante carriera come Art Director e Direttore Creativo nelle principali agenzie pubblicitarie romane, e dopo l'avvento del nuovo Millennio, arriva la decisione di dedicarsi a tempo pieno alla pittura, soprattutto quella astratta.
Negli ultimi anni il suo trasferimento in Inghilterra, ha portato contaminazioni nell’ambito dei colori e delle atmosfere, spingendola verso ricerche di materiali e tecniche alternative.
Dopo un periodo di circa 3 anni a Brighton (UK) attualmente vive e lavora a Roma (Italia).
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Nationality:
ITALY
- Date of birth : 1952
- Artistic domains:
- Groups: Contemporary Italian Artists