Noseless Head 2 (2021) Digital Arts by Andrea Botton
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine prints-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Figurative Men portraits
Created using advanced CGI techniques, the sculpture depicts a head without a nose, an absence that disrupts the traditional perception of the human face.
This invites the viewer to reflect on how small changes can drastically alter identity and recognizability.
This sculpture is part of the "Clay Head" series, where the digital medium intertwines with the aesthetics of traditional sculpture, creating works that seem to exist in a limbo between the real and the virtual.
Related themes
FigurativePortraits Of MenDigital SculptureCgi ArtHuman Form
Since I was a child, I have had a passion for art that goes beyond mere appreciation; it has become a continuous search for meaning and Archè.
I have explored much of the art world, but in recent years I have mainly focused on Computer-Generated Imagery (CGI), the medium I predominantly use today.
I am fascinated by the fact that images generated with CGI, while being visible, remain in the realm of nonexistence.
This duality of existence and intangibility intrigues me deeply: an image that persists in a form of permanence, while remaining ethereal and intangible.
Each of my CGI creations represents a journey through the boundary between the visible and the invisible, an exploration of the imaginary realm that challenges the conventions of reality.
My works are not simple representations, but rather windows into worlds that exist only at the intersection of perception and illusion.
With each rendering, I strive to capture and convey this tension between presence and absence, between matter and imagination.
In this space of duality, art becomes a reflection on the nature of perception and reality itself.
My work invites the viewer to immerse themselves in a visual experience that is as concrete as it is elusive, stimulating a meditation on what is truly real and what remains eternally elusive.
Through CGI, each image transforms into a kind of paradox, where imagination manifests in forms that, though perfectly visible, always remain on the boundary of nonexistence.
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Nationality:
ITALY
- Date of birth : 1991
- Artistic domains:
- Groups: Contemporary Italian Artists
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