Noc w Kairze (2023) Painting by Amelia Duszak

Oil on Canvas, 39.4x27.6 in
$773.6
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 39.4in, Width 27.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $1,000 Impressionism Desert
Noc w Kairze to poszukiwania w obrazie lekkości, swobody, zachowując szacunek dla warstwy malarskiej. Klimat ma być wyjątkowy, ciemny i soczysty z ferią migających gwiazd. Widać przecierki, tekstury, przeźroczystosci - chcę stworzyć w malarstwie malarskiej trochę nieoczywistości, zwiększyć ilość informacji poprzez dokładanie warstw [...]
Noc w Kairze to poszukiwania w obrazie lekkości, swobody, zachowując szacunek dla warstwy malarskiej. Klimat ma być wyjątkowy, ciemny i soczysty z ferią migających gwiazd. Widać przecierki, tekstury, przeźroczystosci - chcę stworzyć w malarstwie malarskiej trochę nieoczywistości, zwiększyć ilość informacji poprzez dokładanie warstw

Related themes

NocPalmaGwiazdyAzjaWschód

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Born in 2001, a third-year student at the Warsaw Academy of Fine Arts in Warsaw. I live and was born in the capital, where I decided to deepen my passion at the Faculty of Graphics. Ultimately, my greatest[...]

Born in 2001, a third-year student at the Warsaw Academy of Fine Arts in Warsaw. I live and was born in the capital, where I decided to deepen my passion at the Faculty of Graphics. Ultimately, my greatest interest is in oil painting, which I respect for the time it takes to devote to it, but also for the variety of gestures that can be used. I like to experiment with glazes, but I also paint with thick layers. I use loose pigments and oil pastels, as well as dry pastels or spray paint as underpainting. I am very interested in the painting in the context of its objectivity. So I care about the manual assembly of the canvas and its preparation by human hands, the heaviness of the loom, the edges and ultimately - the frame in which I dress some of my paintings. I appreciate beauty over ugliness, even if that beauty is messy

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