"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
on Paper
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Digital Arts under $500
Stampa su carta GR.185
Related themes
I paint not what you appear, but the mirror of who your are.....
I paint not what you appear, but the mirror of what you are....
The signs of expression, the wrinkles on the face, tell us about tears,
thoughts, fears, hatred, .... But also surprises, grimaces, joys and smiles.
Painter, illustrator, eclectic artist, curious and experimenter, explorer of spaces, techniques and contexts, Alvise Bon has always shown particular interest in the search for new technical-expressive languages. Always gifted with notable dexterity and predisposition for graphic art, as a good self-taught he does not use traditional techniques, but uses the brush as a tool of his creativity and color as the fruit of alchemy and lacerations. Attentive observer, he reports on the canvases not what you are, but what he sees.
An admirer of artists dear to him such as Guy Denning, Joshua Miels, Solly Smook, he depicts, like them, sensations and states of mind in the splashes of color placed haphazardly on the faces of his canvases, drawing a path saturated with shadows and presences, ancient sufferings that many generations of men and women have lived, consigning their lives to dust.
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Nationality:
ITALY
- Date of birth : 1963
- Artistic domains:
- Groups: Contemporary Italian Artists