Aleksej Daniel Djermanovic

Izvolite prisustvovati - Einladung



22.septembar 2012. - 1800 h Muzej Macura - Novi Banovci




Muzej Macura Novi Banovci Zenit 1 0644729629

Exhibition - Ars Altera Pars - Aleksej Daniel Djermanovic


Macura-Museum


20.09.2008. 1800 h

Encaustic painting A 6th-century encaustic icon from Saint Catherine's Monastery, Mount Sinai. Encaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added. The liquid/paste is then applied to a surface — usually prepared wood, though canvas and other materials are often used. The simplest encaustic mixture can be made from adding pigments to beeswax, but there are several other recipes that can be used — some containing other types of waxes, damar resin, linseed oil, or other ingredients. Pure, powdered pigments can be purchased and used, though some mixtures use oil paints or other forms of pigment. Metal tools and special brushes can be used to shape the paint before it cools, or heated metal tools can be used to manipulate the wax once it has cooled onto the surface. Today, tools such as heat lamps, heat guns, and other methods of applying heat allow artists to extend the amount of time they have to work with the material. Because wax is used as the pigment binder, encaustics can be sculpted as well as painted. Other materials can be encased or collaged into the surface, or layered, using the encaustic medium to adhere it to the surface. This technique was notably used in the Fayum mummy portraits from Egypt around 100-300 CE, in the Blachernitissa and other early icons, as well as in many works of 20th-century American artists, including Jasper Johns. Kut-kut, a lost art of the Philippines implements sgraffito and encaustic techniques. It was practiced by the indigenous tribe of Samar island around 1600 to 1800.[citation needed] Encaustic art has seen a resurgence in popularity since the 1990s with people using electric irons, hotplates and heated stylus on a variety of different surfaces including card, paper and even pottery. The iron makes producing a variety of artistic patterns elementary. However, the medium is not limited to just abstract designs, it can be used to create complex paintings, just as other media such as oil and acrylic.

: « Sainte Geneviève de Paris »
- Le chemin de l’icône au XXIème siècle


En observant l’icône canonique de l’ancienne Eglise de l’Ouest et de l’Est, nous rencontrons aujourd’hui de nombreux problèmes.

Comment sauver les canons de l’iconographie sans participer au pur formalisme artisanal, ou au contraire au fantasme artistique sans possession d’image de la divinité éventuelle.

En exposant ce problème nous reconnaîtrons que l’icône du XXIème siècle a connu une crise.
Quand nous souhaitons souligner le caractère monumental de la peinture, nous prenons souvent comme exemple la peinture virtuose byzantine.

Comment sauver la virtuosité et l’héritage des traditions anciennes sans perdre le chemin, sans devenir copiste ou artisan. L’icône doit vivre autrement.(L’icône vit autrement)

Ma solution est fondée sur la recherche de l’expression, en transcrivant la monumentalité de l’icône byzantine et en la traduisant dans une langue expressive contemporaine, sans minutie, une expression essentielle de la relation entre la poétique, la forme et la religion.
Elle est également fondée sur la reprise d’un dessin expressif comme trame fondamentale avec des interventions colorées minimales.
J’étudie aussi le transfert d’un monde spirituel sur les media, et l’utilisation du symbole de la couleur avec son but sémiotique.

Le thème est celui des Saints de Gaule, d’où le nom du projet « Sainte Geneviève de Paris ».

Aleksej D.Dj. 8.7.2005.

“Personal Ark”
This concept is representing a sublimation of cultural-sociological perception of the world and it’s values, in reference to percept fleethy phenomenons, worlds which disappears from perception of an eye and the mind of the person and groups.

Dead substance is an corpus of the first part of concept and represents a selectivity of “pieces” from the world’s scarpbox, in which person, as a futuristic icon of ancestor Noah, becomes the gatherer, collector of creation. But, today, dead substance, diametrically from remarked happening and person, indicate transfiguration of the world which we belong to.

The corpus of second part of the concept is build by pale reflexion of the subject’s memory, translated and designated on a rigid media, in the case where subject as narrator of colours and illustrations, describes forgotten substance again, by personal and contemplative decision.
The attempt of new Noah to save the icon of one disappearing world, by remembering substance and marking it.

The third part, IHTIS, represents perception of this macrocosm through two points, which are moving together, contacting and impacting on their way, but that’s the reason why their ideological trip is very distributed and in a contraposition.

Summation of heritage of the European man, just like as their confrontation, has an idea how to overcome mortification of significant unit, consigning to singularity of every human being, but specially the man as Homo Habilis, whose peculiarity is articulate in a performance which is giving a tintuation of ambience in which we all are.
The icon of the disappearing world, in attempt to save elements in disintegration of the world he remembered…

The project have 3 parts:

I. Collector
-Collection of interesting substances…shellfish, aftermath, parts of some organisms….
1. Abstract composition build with combine techniques (Anodonta Anatina) associate on butterfly in whirlwind (diptych)
2.Sharks’s whorl (Chondrichthyes) has signed Maltesian cross, two other crosses on painted and vermeiled templates.
3.MYRTACEA EUCALYPTUS INCRASSANTA- the abstract composition
4.SEMEN - PSEUDO KRIN- the abstract composition
5.PLANORBIS CORNEUS
6.Overbloomed blowball in a glass box
7.Shuck of papaver in a glass box
8.Tug’s horn in a box, spiral of a gold intersection
Etc…..

II. Remembering the substance
Build with the pictures and illustrations of creation, of a man, from the embryo phase to the adult person, substance (Subsistence) which I am impressed with, from realism (realistic description) to expressionistic contouring as a pale reflexion of disappeared memories…

III. IHTIS
Leonardo’s schema oh human (Humanistic Ideal) Vitruvius, Christ’s napkin (not made by hand), are the themes of this chapter, representing two oscillated points.


Both samples follows the rule of an gold intersection, but the signification is dissonant. Humanism, a philosophy build on negation of the old authority inspired by summing knowledge (studia humanitates) on a way to perfectionism, man is becoming a God and Christianity, born from the science of Christ, God is becoming a man…
IHTIS should represent man’s escape from this valley of tears, fish which is free, out of Heracles’s “river of life”…
Man, who is walking free again, like a Bach’s “Erbarme dish”…





12Steps to build your own Personal Ark " A convulsive shuddering passed over the rocks on which the 12 steps to build your own personal ark of Leaphigh, but at length consents that I had many and menacing to admit of 12 steps to build your own personal ark union were a good heart, if his naked hand. There were six on the subject of discourse with some 12 steps to build your own personal ark difficulty in coming near his end."

"LIČNA ARKA"

U trenutku sveopšte krize na ovoj čarobnoj i strašnoj Zemlji i posrnuća čoveka zamorenog nemilosrdnom trkom za progresom koji se meri profitom, avangardna umetnost dobija svoje pravo mesto. Otvara nam vidik ka unutrašnjoj svetlosti duše i daje nadu za spasenje kroz kreativnost - ne rušilaštvo, kroz otvaranje - ne otuđenost.

Dva vrhunska likovna umetnika iz naše sredine, Aleksej Daniel Đermanović i Justin Aleksandar Ristić, objedinivši svoje radove koji su u funkciji duhovnosti i povratka prirodi, s porukom iz Simbola vere: "Čekam vaskrsenje mrtvih i život budućeg veka", upućuju nas na pronalaženje izlaza iz mraka u kome se nalazimo.

Dok u Justinovim radovima ljudi "larve", ušuškani u svojim posteljama, vilama, sa izgubljenim čulima za druge, vegetiraju u svojoj "punoći" prostora i vremena, kao fetusi, u Aleksejevim radovima postoji čovek tragač, sakupljač, spasilac, postoji čovek Noe, ali Aleksej ga ne slika, on slika njegovo delo, jer on je bogočovek - nesaglediv, on je tvorac vidljivog. Takav čovek, koji je čuvar prirode, a kulturna baština mu je svetinja, koji se sagledava duhovnim očima, spasiće ovu planetu i izbaviti čoveka "larvu", pomoći će mu da vaskrsne u potpunoj metamorfozi u duhovno biće. Čovek Noe, u Aleksejevim radovima, vidi poruke Stvoritelja u svemu što ga okružuje. Znaci Hrista su otelotvoreni u semenu, školjki, leptiru...

Aleksejev rad "Osušeni maslačak u staklenoj kutiji" - vesnik proleća; rasejano nežno paperjasto seme, poput toplih reči i nežnih dodira, daće novi život. Osušeni maslačak u staklenoj kutiji, kao Noeva barka na vrhu tajanstvenog brega, svedoči o večnom životu.

(Imala sam čast da ovim rečima otvorim izložbu "Lična arka" autora akademskog slikara i ikonopisca Alekseja Daniela Đermanovića u holu pozorišne sale u Staroj Pazovi, 19.02.2008. u 19 h.)

alexejdaniel/



Aleksej Daniel Đermanović

UMETNOST U FUNKCIJI DUHOVNOSTI I SPASENJA

Umetnik u ovom prolaznom, propadljivom, vidljivom postojanju, u borbi ideje i materijala, pred očima koje često ne vide, pred srcima koja ne zatrepere, pobeđuje najpostojanije u nestajanju – vreme. Tek decenije, vekovi...večnost – potvde vrednost nadahnuća i savršenstvo stvoritelja.

Umetnik Aleksej Daniel Đermanović, još u prvim svojim likovnim radovima, pokazao je osobenost da prevaziđe realno i u vizuelnoj umetnosti otkrije srcu vidljivo. Nerazumevanje prosečne, neobrazovane likovne publike nije ga pokolebalo. Nijedan njegov rad nije «umetnost radi umetnosti», nije «komercijala», nije ulagivanje posmatraču i kupcu. Iskrenost, doslednost i istrajnost, vrednoća i privrženost, doveli su ga na put velikih umetnika.

Kao prst sudbine bilo je njegovo rođenje u Parizu 1972. godine. Prvih sedam godina života u Parizu, dok su se druga deca igrala – Daniel je slikao čudne, neobične kompozicije za njegov uzrast. Nije želeo nikom da pokazuje, a tajnu je čuvao samo za jedne oči. I te Oči ga prate i danas. Za te Oči živi i radi. A živi i radi u Srbiji i Grčkoj, Atosu, Svetoj Gori. U mnogim hramovima ostavio je deo svoje duše.U ikone, freske, mozaike, utkao je ljubav i umeće.

Po završetku V.Š.likovnih i primenjenih umetnosti upisao je Akademiju S.P.S. za umetnosti i konservaciju, odsek zidno slikarstvo. Studirajući u klasi Srđana Radojkovića, Daniel nije naučio da stvara, on je postao stvaralac. Svoju umetnost, nadahnuće i imaginaciju stavio je u funkciju duhovnosti. Promocije svojih dela imao je u poznatim svetskim galerijama. Veliku pažnju i uspeh postigao je u Internacionalnom art klubu pri UNESKU a za doprinos u vizuelnoj kulturi dobio je posebno priznanje grčkog prestolonaslednika Princa Jovana Arkadija Laskarisa Komnina.

Njegove izložbe imaju duboke poruke i izlaže u trenucima kada nam treba prosvetljenje i duhovna snaga pred Zlim. Duboko u duši boli ga izobličenje lica jednog napaćenog naroda, nestajanje u vremenu i prostoru. Nedavnom izložbom «Lična arka» daje nam nadu da postoje ljudi, postoji način, postoji Vera, Ljubav i Nada da se vratimo u Sebe i na Svoje.


Nadica Janić

Encaustic painting



A 6th-century encaustic icon from Saint Catherine's Monastery, Mount Sinai.


Encaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added. The liquid/paste is then applied to a surface — usually prepared wood, though canvas and other materials are often used.

The simplest encaustic mixture can be made from adding pigments to beeswax, but there are several other recipes that can be used — some containing other types of waxes, damar resin, linseed oil, or other ingredients. Pure, powdered pigments can be purchased and used, though some mixtures use oil paints or other forms of pigment.

Metal tools and special brushes can be used to shape the paint before it cools, or heated metal tools can be used to manipulate the wax once it has cooled onto the surface. Today, tools such as heat lamps, heat guns, and other methods of applying heat allow artists to extend the amount of time they have to work with the material. Because wax is used as the pigment binder, encaustics can be sculpted as well as painted. Other materials can be encased or collaged into the surface, or layered, using the encaustic medium to adhere it to the surface.

This technique was notably used in the Fayum mummy portraits from Egypt around 100-300 CE, in the Blachernitissa and other early icons, as well as in many works of 20th-century American artists, including Jasper Johns.

Kut-kut, a lost art of the Philippines implements sgraffito and encaustic techniques. It was practiced by the indigenous tribe of Samar island around 1600 to 1800.[citation needed]

Encaustic art has seen a resurgence in popularity since the 1990s with people using electric irons, hotplates and heated stylus on a variety of different surfaces including card, paper and even pottery. The iron makes producing a variety of artistic patterns elementary. However, the medium is not limited to just abstract designs, it can be used to create complex paintings, just as other media such as oil and acrylic.

UNESCO-Pireas.gr
12/7/2007
UNESCO Club of the Department
of Piraeus and Islands

THE SPIRIT OF THE SERBIAN ART AT INTERNATIONAL ACTION ART

The greatness and the beauty of modern,
but also classic Serbian art, was admired
by those who visited the exhibition, titled
"the Serbian Spirit"
The painting exhibition took place in the
cultural multicentre "International Action
Art in Piraeus. The artists who took part
were: Aleksei Daniel Djermanovic, Mirjana
Novakovic, Kristina Ristic, Milica
Propadovic, Snezana Krstic, Josef Nadj,
Julia Kontoni and others.
Furthermore, many works were presented
by the convent of Chilandariou such as:
portraits, seascapes, sculptures,
handworks in glass and metal as well as
Byzantine pictures.
In regard with this artistic exhibition the
President of Club UNESCO of Piraeus and
Islands pointed out:
"We tried to make the public understand
and feel the Serbian artistic and religious
creation considering that Serbian culture is
very rich.
("INTERNATIONAL ACTION ART" - 212,
Alkiviadou Str.

Archeological Museum, on the crossroads
with Charilaou Trikoupi Street - tel. 210
4280632)


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46. Likovna kolonija Sićevo

ImageGalerija savremene likovne umetnosti u Nišu organizovala je i ove godine likovnu koloniju Sićevo od 1. do 10. septembra 2010. godine. Ovogodišnja Kolonija ima 12 učesnika: prof. Čedomir Vasić, Uroš Đurić, Miron Mutaović, Aleksej Daniel Đermanović i Saša Stojanović (Beograd), Mr. Jelena Šalinić Terzić (Kraljevo), Mile Simić, Nikola Marković i Neda Šukletović (Niš), Tine Hind (Danska), Kaori Nakamura i Koici Makino (Japan). Likovna kolonija Sićevo nastavlja tradiciju Prve jugoslovenske umetničke kolonije i neguje sećanje na osnivača - veliku srpsku slikarku Nadeždu Petrović. Redovno se održava od 1964 godine.ImageImage

index.php?option=com_content&task=view&id=1331&Itemid=106

video 1

prof. Čedomir Vasić


Aleksej Danijel Đermanović

Mr. Jelena Šalinić Terzić
V i d e o 2

Tine Hind (Danska)


Koici Makino (Japan)

Kaori Nakamura (Japan)
V i d e o 3

Mile Simić

Marija Stojiljković

Saša Stojanović

Curriculum vitaePortfolio


Daniel Aleksej Djermanovic ne a Paris le 08.octobre. Ou il a passe les premiers 7 années de sa vie, en montrant dans l’école primaire ses enclines vers l’art.
Pendant l’école primaire et secondaire il a continue de developer ses expressions artistique personnelles, et il a reçu ses premières approbations.
L’année 1993, il s’est inscrit a L’école Supérieure des Beaux Arts, section Pédagogie d’Arts, la même année il a participe dans l’exposition des peinture a Stara Pazova,sous « la baguette » du conservateur Nikola Kusovac.
En 1994 il prendre part dans les expositions des étudiants et l’exposition destine aux invalides de la guerre.
L’année 1995, il a pris part dans la faible colonie Prohor Pcinjski, comme le représentant de L’école Supérieure des Beaux Arts, nomme de la part du professeur Dragana Milosavljevic.La même année il a fini cette école.
Pendant 1996 et 1997, il a etudie l’ecole de la peinture « Sumatovacka » et expose ses oevres.
En 1998, il s’est inscrit à l’Académie des Beaux arts et de la Conservation S.P.C. d'eglise orthodoxe serbe, section de la peinture murale et de la conservation, et il a fini cette école en 2002.
De 1997, il fait les études de l’iconographie et de chant byzantin dans le couvent des Archanges Michel et Gabriel a Kovil, et présent ses ouvrages dans les expositions et activités divers :
- galerie de la scène Crnjanski Belgrade
décembre 1997 exposition collectif

-Galerie des fresques Belgrade 1999
expo collectif

-l’Université Populaire de Ilija Kolarac
Belgrade
- galerie de musique 2000
- galerie de musique 2001
- galerie de musique2002 expositions collective

-Le Palais de duchesse Ljubica Belgrade 2002
exposition collective

-Galerie CZK Stara Pazova février 2004
exposition indépendante

-Galerie CZKT Novi Banovci mars 2004
exposition indépendante

-Musée 25 Mai Belgrade mai 2004
expo collectif des membres de ULUPUDS
L’association des artistes des beaux arts de Serbie

-galerie Singidunum Belgrade Knez Mihajlova septembre 2004
expo collectif des membres de ULUPUDS
L’association des artistes des beaux arts de Serbie.

-galerie CZK Stari Banovci septembre 2006
exposition indépendante.

- galerie International action art center
-Piraeus Athenes Alkiviadou 212-octobre 2006
painting exhibition
UNESCO Club of the Department of Piraeus & Islands


-galerie “Progres” Belgrade janvier 2007
exposition collective
ULUPUDS

-mars 2007 hôtel “Grande Bretagne” Athènes
Promotion des oeuvres et AWARD spécial ,de ça majesté Prince
Juan Arcadio Lascaris Comneno
A Madrid 2007


-14.april-4.maj 2007.godine 39 salon de mai
ULUPUDS “Acceleration” Cara Dusana 45 Belgrade
L’association des artistes des beaux arts de Serbie


-17.-27.april 2007.godine galerie “Singidunum” Belgrade
ULUPUDS L’association des artistes des beaux arts de Serbie







-Expo „Mini format“ ULUPUDS
- Musee Ruma le 18. do 31. mai 2007. Entre la manifestation„La nuit de Musée“
- Srbobran (galerie de la Ville 1 – 11. juni 2007)
- Sokobanja (12 – 21. juni 2007)
- Galerie „Cigota ,Zlatibor“ (25. juni – 4. juli 2007).


-et l’exposition nombreuse de moyenne signification




-Les activités divers :

-Finlande Helsinki,Ilomanci 2001
Concert de chant byzantin ancien.

-BEMUS L’atrium de Musée Populaire 2001
Concert de chant byzantin ancien.

-Russie Moscou 2002
Concert de chant byzantin ancien.

-France Paris avril 2003
Église Saint Roch Paris 2
Pavillons sur les bois
Concert de chant byzantin ancien.

- Inernational action art center-Piraeus Athenes Alkiviadou 212- 2006 UNESCO
Concert de chant byzantin ancien.

-deux CD avant monastere Chilandar-
Le choir Byzantin serbe 2006

-Bulgarie Rousse septembre 2006
Concert de chant byzantin ancien.



Encore des concerts nombreux Centre Sava Belgrade, l’Université Populaire de Ilija Kolarac Belgrade, Théâtre National Belgrade etc…

Pendant 2002, il fait les fresques et les icônes dans le couvent des Archanges Michel et Gabriel a Kovil, aussi les mosaïque pour la chapelle « la place de prière »Belgrade Krnjaca.L’icône Christ entronne pour l’autel de l’église de Vrbas.

Membre de ULUPUDS
L’association des artistes des beaux arts de Serbie depuis 2004.

De decembre2004, a auguste 2007 il travaille a Mont Athos Grece, et fait des fresques et des icônes pour les couvents Chilandar et Saint-Basile en mer.
Il a fait des nombreux icônes, fresques, peintures, dessins et mosaïques.


Awards :

-AWARD, festival l’imaginaire
« Maison des cultures du monde »Paris 2003

-AWARD,oktober 2006 Piraeus Athens Multi –Cultural Center „INTERNATIONAL ACTION ART“ painting exhibition
UNESCO Club of the Department of Piraeus & Islands 2006

- AWARD spécial pour les arts visuel, de ça majesté Prince
Juan Arcadio Lascaris Comneno
A Madrid février 2007





Il vit et travaille a

Generala Mihajla Nedeljkovica 43

Belgrade 11070
Serbie

Tel. Mob. +381[0] 64 1150 267 begin_of_the_skype_highlighting              +381[0] 64 1150 267      end_of_the_skype_highlighting


Email :

Awards:

- AWARD, festival “L’imaginaire”
"Maison des Cultures du Monde" Paris 2003

- AWARD, October 2006 Piraeus Athens Multi-Cultural Center “ART INTERNATIONAL ACTION “ painting exhibition
UNESCO Club of the Department of Piraeus & Islands 2006

- AWARD-(Honorary distinction) as acknowledgment for his achievements in the field of visual arts from His highness prince
Juan Arcadio Lascaris Comneno
In Madrid in February 2007

Concept:
“Personal Ark”
This concept is representing a sublimation of cultural-sociological perception of the world and it’s values, in reference to percept fleethy phenomenons, worlds which disappears from perception of an eye and the mind of the person and groups.

Dead substance is an corpus of the first part of concept and represents a selectivity of “pieces” from the world’s scarpbox, in which person, as a futuristic icon of ancestor Noah, becomes the gatherer, collector of creation. But, today, dead substance, diametrically from remarked happening and person, indicate transfiguration of the world which we belong to.

The corpus of second part of the concept is build by pale reflexion of the subject’s memory, translated and designated on a rigid media, in the case where subject as narrator of colours and illustrations, describes forgotten substance again, by personal and contemplative decision.
The attempt of new Noah to save the icon of one disappearing world, by remembering substance and marking it.

The third part, IHTIS, represents perception of this macrocosm through two points, which are moving together, contacting and impacting on their way, but that’s the reason why their ideological trip is very distributed and in a contraposition.

Summation of heritage of the European man, just like as their confrontation, has an idea how to overcome mortification of significant unit, consigning to singularity of every human being, but specially the man as Homo Habilis, whose peculiarity is articulate in a performance which is giving a tintuation of ambience in which we all are.
The icon of the disappearing world, in attempt to save elements in disintegration of the world he remembered…

The project have 3 parts:

I. Collector
-Collection of interesting substances…shellfish, aftermath, parts of some organisms….
1. Abstract composition build with combine techniques (Anodonta Anatina) associate on butterfly in whirlwind (diptych)
2.Sharks’s whorl (Chondrichthyes) has signed Maltesian cross, two other crosses on painted and vermeiled templates.
3.MYRTACEA EUCALYPTUS INCRASSANTA- the abstract composition
4.SEMEN - PSEUDO KRIN- the abstract composition
5.PLANORBIS CORNEUS
6.Overbloomed blowball in a glass box
7.Shuck of papaver in a glass box
8.Tug’s horn in a box, spiral of a gold intersection
Etc…..

II. Remembering the substance
Build with the pictures and illustrations of creation, of a man, from the embryo phase to the adult person, substance (Subsistence) which I am impressed with, from realism (realistic description) to expressionistic contouring as a pale reflexion of disappeared memories…

III. IHTIS
Leonardo’s schema oh human (Humanistic Ideal) Vitruvius, Christ’s napkin (not made by hand), are the themes of this chapter, representing two oscillated points.


Both samples follows the rule of an gold intersection, but the signification is dissonant. Humanism, a philosophy build on negation of the old authority inspired by summing knowledge (studia humanitates) on a way to perfectionism, man is becoming a God and Christianity, born from the science of Christ, God is becoming a man…
IHTIS should represent man’s escape from this valley of tears, fish which is free, out of Heracles’s “river of life”…
Man, who is walking free again, like a Bach’s “Erbarme dish”…


12Steps to build your own Personal Ark " A convulsive shuddering passed over the rocks on which the 12 steps to build your own personal ark of Leaphigh, but at length consents that I had many and menacing to admit of 12 steps to build your own personal ark union were a good heart, if his naked hand. There were six on the subject of discourse with some 12 steps to build your own personal ark difficulty in coming near his end."

koncept:
"Lična Arka"


Koncept predstavlja sublimaciju kulturološko-socijološkog poimanja sveta i njegovih vrednosti, odnosno sagledavanja prolaznih fenomena, svetova koji isčezavaju iz opažaja oka i razuma pojedinca kao i grupacija.
Vreme i svet koji postaju mrtva tvar oko koje čovek ustrašeno gamiže.
Polazište je pojedinac koji svojim ličnim odabirom i sudelovanjem postaje deo kolektivne svesti i na nju utiče i menja je.

Mrtva tvar je corpus prvog dela koncepta i predstavlja subjektivni odabir « komada » sa smetlišta sveta u kojoj pojedinac kao futuristička ikona praoca Noja postaje sakupljač, kolekcionar konkretnih tvorevina ali danas mrtve tvari, što kao dijametralno od pomenutog dogadjaja i ličnosti, ukazuje na meru preobražaja sveta kome pripadamo ...

Corpus drugog dela koncepta sačinjavaju bledi odsjaji odblesaka sećanja subjekta prevedeni i zabeleženi na čvrsti medij u slučaju gde subjekt kao narator boje i crteža, opisuje zaboravljenu tvar ponovo po ličnom i kontemplativnom odabiru.
Pokusaj novog Noja da sećanjem na tvar i beleženjem, sačuva ikonu jednog nestajućeg sveta.

Treci deo, IHTIS, predstavlja sagledavanje ovog makrokosmosa iz dve tačke koje se kreću zajedno, susreću i sudaraju na svom putu, što njihovu ideološku putanju čini veoma razudjenom i suprostavljenom.
Sabranje svih tekovina evropejskog čoveka, kao i njihovo suprostavljanje je u cilju prevazilaženja problema odumiranja jedinki od posebnog značaja, upućujuci na jedinstvenost svakog bića, a posebno čoveka kao novog Homo Habilis-a čija posebnost je izražena i u delu koje čini obojenje okruženja kakvim ga vidimo.
Ikona sveta koji nestaje u pokušaju da zadrži razigrane elemente u dezintegraciji sveta kakvog ga pamti i kakav postoji...






Projekat se sastoji iz tri dela:

I.
Sakupljač (Colector)
Odabir intrigantnih tvorevina...školjke,plodovi,delovi nekih organizama...

1. Apstraktna kompozicija izvedena kombinovanom tehnikom (Anodonta Anatina) asocira na leptire u vrtlogu. diptih
2.Pršljen ajkule (Chondrichthyes) ima upisan malteški krst, dva krsta na islikanim i pozlaćenim podlogama sačinjavaju ovo delo...
3. Myrtaceae Eucalyptus incrassata -apstraktna kompozicija.
4.Semen-pseudo krin -apstraktna kompozicija.
5. Planorbis corneus

6.Precvetali maslacak u staklenoj kutiji...
7.Mahuna maka u staklenoj kutiji...
8.Ovnov rog u kutiji, spirala zlatnog preseka...


II.
Secanje na tvar
Sastoji se od crteža i slika tvorevine ,čoveka, od embriona do odrasle jedinke, tvari (bića),kojom sam impresioniran, od realizma(realistickih prikaza) do ekspresionističkih skica kao bledih odsjaja isčilelih memorijskih slika,odblesaka...

III.
IHTIS

Leonardova shema čoveka(Humanistički ideal)Vitruvije, Nerukotvoreni obraz Hristov (Not made by hand) ubrus, čine osnovu ovog poglavlja predstavljajući dve pomenute oscilirajuće tacke.

Oba primera slede pravilo zlatnog preseka a smisao je potpuno oprečan...naime humanizam, filosofija uzrasla na negiranju predjasnjih autoriteta podstaknuta sabiranjem znanja (studia humanitates) na putu dostizanja savršenstva, čovek postaje Bog i hrisćanstvo proisteklo iz nauke Bogočoveka Hrista, Bog postaje čovek...
IHTIS treba da simvolizuje izbavljenje čoveka iz ove doline suza, ribu koja je slobodna, van heraklitovske "reke života"...
Čovek koji nanovo slobodno hoda kao u Bach-ovoj "Erbarme dish" iz pasije po Mateji......


Aleksej Daniel Đermanović

Curriculum Vitae

Aleksej Daniel Djermanovic
Aleksey Daniel Germanovich

He was born on October the 8. and lived in Paris for first seven years of his life., where he had shown his first inclinations to the fine Arts.
During his Primary and Secondary education he continued develop his artistic expression, and got his first awards.
Year 1993 he enrolled at School of Fine and Applied Arts, level A in Belgrade.
During that period he exposed his paintings at auction exhibition in Stara Pazova under surveillance of custodian Nikola Kusovac.
Year 1994 he took part in student’s exhibitions and in charitable exhibition for disabled veterans.
In 1995 he took part in famous painter’s colony Prohor Pcinjski, as a representative (chosen bay his mentor Dragana Milosavljevic) of Belgrade’s Art College of Fine and Applied Arts. The same year he graduated at mentioned College.
1996 and 1997 he attended special College for painters named Sumatovacka and
exhibited his works at annual exhibit.
Year 1998 he became a student of Academy of Fine Arts and Conservation, section -conservation and wall paintings, and he finished the academy in 2002.
In the same time he was studying and analyzing the technique of icons painting in Monastery of St. Michael and St. Gabriel, in Kovilj.

He exhibited at:

-Gallery of frescos Belgrade, 1999.

-Musical gallery Kolarac Belgrade, 2000.
-Musical gallery Kolarac Belgrade, 2001.
-Musical gallery Kolarac Belgrade, 2002.

-Duchess Ljubica Castle Belgrade, 2002.

-CKT gallery Novi Banovci, 2004-May

-Vojnovic House Indjija 2004-April

-Museum 25 May Belgrade-ULUPUDS 2004-May

-Singidunum gallery Belgrade-ULUPUDS 2004-July


Independent exhibitions

- Gallery CZK Stara Pazova February 2004
Independent Exhibition

- Gallery CZKT Novi Banovci March 2004
Independent Exhibition

- 25 May Museum
Belgrade in May 2004
Collective exhibition, members of ULUPUDS
The Artists Association of Fine Arts in Serbia

- Gallery Singidunum Belgrade Knez Mihajlova September 2004
Collective exhibition, members of ULUPUDS
The Artists Association of Fine Arts of Serbia.

Gallery - CZK Stari Banovci September 2006
Independent Exhibition

International action-gallery art center
- Piraeus Athens Alkiviadou 212-octobre 2006
Independent Painting exhibition
UNESCO Club of the Department of Piraeus & Islands


- Gallery "Progres" Belgrade in January 2007
Exhibition
ULUPUDS

- March 2007 hotel "Grande Bretagne" Athens
Promotion of works and special AWARD, from his majesty Prince
Juan Arcadio Lascaris Comneno
In Madrid 2007


-14. April-4.maj 2007.godine 39-th May Fair
ULUPUDS "Acceleration" Cara Dusana 45 Belgrade
The Artists Association of Fine Arts in Serbia


-17.-27. April 2007.godine Gallery "Singidunum" Belgrade
ULUPUDS The Artists Association of Fine Arts in Serbia




- "Mini format" group exhibition ULUPUDS
- Musee Ruma on 18. Do 31. May 2007. Between the manifestation "The Night of the Museum"
- Srbobran (The City Gallery 1 - 11. Juni 2007)
Sokobanja gallery - (12-21. Juni 2007)
- Gallery "Cigota”, Zlatibor (25. Juni-4. Juli 2007).

-Gallery CZK St. Pazova 19.2.-19.3.2008. Solo exhibition
“Personal Ark”

-od 20. september – 20. oktobar 2008. «Ars Altera Pars»
Macura Museum Novi Banovci Zenit1

-20.septembar participant with 39 artists and their works used in the project:
«Die Archaologen kommen ans Tageslicht»Klaus Gölz
Macura Museum
20.9.2008

-september «Crux» project, chapel for the Macura Museum
Ruski Dom in Beogradu
- 2. - 12 april collective exhibition – ULUPUDS Centralni dom vojske Srbije

-31. SALON ARHITEKTURE - Architecture Salon
26. mart – 30. april 2009. – Muzej Primenjene Umetnosti u Beogradu – projekat «Simbioticka Arhitektura» - project «Symbiotic architecture» - Museum of applied arts- Belgrade


-from 26. january 2009. , frescoes and icons for the church of Saint Eliah in Stara Pazova

-september - mai , project « Sainte Geneviève de Paris »
- Le chemin de l’icône au XXIème siècle
-16. Mart 2010. MIPIM - Architecture Salon in Cannes– SYMBIOSIS watch?v=83IOZ2CBjGo
-32. SALON ARHITEKTURE - Architecture Salon
mart – april 2009. – Museum of Applied Arts in Belgrade – project «Symbiotic Arhitecture»
- TRADICIONAL MODERN

Exhibition ULUPUDS
Centralni dom vojske Srbije in Belgrade, 28. april - 04 mai 2010.
and many less significant exhibitions…




The various activities:

Helsinki - Finland, Ilomanci 2001
Concert of the ancient Byzantine chant.

- BEMUS The atrium of the National Museum 2001
Concert of the ancient Byzantine chant.

Russia-Moscow 2002
Concert of the ancient Byzantine chant.

France-Paris in April 2003
Church Saint Roch Paris 2
Pavilions on the woods
Concert of the ancient Byzantine chant.

International-action art center-Piraeus Athens Alkiviadou 212-2006 UNESCO
Concert of the ancient Byzantine chant.

Two CD-before monastery Hilandar-
The Byzantine choir Serbian 2006

Bulgaria-Rousse in September 2006
Concert of the ancient Byzantine chant.

- Project “Psalms” Chanting the Kovilj Monastery Choir
from 2007-2008. Studio RTV Novi Sad,
-St. Petersburg Philharmonia, the oldest Philharmonia in Russia, march
the 14th, 7th concert of the Season, Grand Philharmonic Hall, Choir"
Moses Petrovich " ancient Byzantine Chant, conductor: Nikola
Popmihajlov

Still many concerts Sava Center Belgrade, the National University of Ilija Kolarac Belgrade, Belgrade National Theater… etc.

In 2002, he made the frescoes, icons and mosaics in the convent of the Archangels Michael and Gabriel Kovil,
-Icon of Christ for the altar of the Church of Vrbas. 2003.

Member of ULUPUDS
The Artists Association of Fine Arts in Serbia since 2004.

Fresco for the portal o f the church of Saint Basil of Ostrog in Novi Banovci
2004.

Frescoes Saints apostles Peter and Paul and Mother of God “Sirsaja nebes” 2005 Church of Saints apostles Peter andI Paul ,Donji Tovarnik Vojvodina

Mosaic “Boat of salvation”, monastery of Saints Archangels Michael and Gabriel in Kovilj, Vojvodina 2005
From decembre 2004 – 2009. he works on the Mount Atos Greece, frescoes and icons for the convents of Saint Basil at sea and Hilandar.

Awards:

- AWARD, festival “L’imaginaire”
"Maison des Cultures du Monde" Paris 2003.

- AWARD, oktober 2006 Piraeus Athens Multi-Cultural Center “ART INTERNATIONAL ACTION “ painting exhibition
UNESCO Club of the Department of Piraeus & Islands 2006.

- AWARD-(Honorary distinction) as acknowledgment for his achievements in the field of visual arts from His highness prince
Juan Arcadio Lascaris Comneno In Madrid in February 2007.



He lives and works in

Zemunska 71
Novi Banovci 22 Vojvodina

Alternative:

Generala Mihajla Nedeljkovica 43
Belgrade 11070

Serbia

Email:



*Abbreviations-

ULUPUDS- Serbian Association of Fine and Applied Arts, Artists and Designers
CKT- Center of Culture and Transition



Email:



*Abbreviations-

ULUPUDS- Serbian Association of Fine and Applied Arts, Artists and Designers
CKT- Center of Culture and Transition