Peur bleue (2011) Sculpture by Acuti

Name: ARTMAJEUR
Brand: ARTMAJEUR
Rating: 4.9 (8985 reviews)

Sculpture - Clay, 27.6x19.7 in

$5,347.82

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This artwork appears in 2 collections

Original Artwork Sculpture, Clay

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 27.6in, Width 19.7in / 15.00 kg
Fit for outdoor? No, This artwork can not be displayed outdoor
Categories Sculptures under $20,000 Figurative

Œuvre figurative, expressionniste et défigurative About this artwork: Classification, Techniques & Styles Clay Sculpture technique using as a raw material[...]

Artist represented by Les Ateliers d'Argenteuil

Acuti

France

Née en 1967.

Travaille la sculpture depuis 1992. Expose en 1994. Censurée, insultée, l’expérience, difficile, est enrichissante.

Auteur d’une réflexion sur l’image du Monstre pour l’Institut Français de Presse, d’une monographie de Roland CAT, sous la direction de Marc LE BOT et d’une thèse sous la direction de Gilbert LASCAULT. (Citée dans « Le cinéma de David Cronenberg et la peinture de Francis Bacon Regards croisés » de Sébastien ROSSIGNOL Maîtrise Cinéma et Histoire Juin 2003 Sous la direction de Natacha LAURENT).

L’artiste est aussi l’auteur du Manifeste de la Défiguration : “Les Défiguratifs ou le Monstre dans l’Art” édité par les Editions L’Art’dit en 2010 et soutenu par Jean RUSTIN, Vladimir VELICKOVIC, DADO, Claude LOUIS-COMBET et Bernard CAPELIER.

Et l’auteur d’une réflexion sur le processus de création « Dans l’Antre, nue» aux Editions de l’Atelier du Grand Tétras en 2015, préfacé par Claude LOUIS-COMBET.

Engagée, animée par la volonté de partager et d’échanger, l’artiste est Formatrice pour le Centre de Formation Les Ateliers d’Argenteuil et intervient en prison auprès de mineurs et d’éducateurs spécialisés PJJ ainsi que dans les maisons de quartiers auprès d’un public dit difficile.