Kronos Kairos Aion 50cm (2023) Painting by A Wibaa

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Authentic work of the artist Wibaa. He began his artistic career by attending a course at the MoMA in New York. Published in various magazines, in 2021 he exhibited in London, Berlin, Milan Design Week, Rome Art Week, Puerto Rico, Atlanta. The works are exhibited in European and North American galleries and are part of private collections. Medium: [...]
Authentic work of the artist Wibaa.
He began his artistic career by attending a course at the MoMA in New York.
Published in various magazines, in 2021 he exhibited in London, Berlin, Milan Design Week, Rome Art Week, Puerto Rico, Atlanta.
The works are exhibited in European and North American galleries and are part of private collections.

Medium: acrylic, enamel, chalk on canvas.
Kronos, relentless passing of time, represented by a straight line that intersects with Kairos, represented by circular, soft figures, indicative of one's life experiences, the right moment.
From this intersection emerges Aion, the time of Being, manifest in a bright green color, a symbol of life in the deepest and most significant sense.
Kronos, Kairos and Aion, the three times that in this canvas find their mutual interaction in a harmony of colors and geometries, thus symbolizing that existential journey that is proper to the Human Being.

Médium : acrylique, émail, craie sur toile.
Kronos, passage incessant du temps, représenté par une ligne droite qui se croise avec Kairos, représenté par des figures circulaires et douces, indicatives de ses expériences de vie, du bon moment.
De cette intersection émerge Aion, le temps de l'Être, manifesté dans une couleur vert vif, symbole de la vie au sens le plus profond et le plus significatif.
Kronos, Kairos et Aion, les trois temps qui dans cette toile trouvent leur interaction mutuelle dans une harmonie de couleurs et de géométries, symbolisant ainsi ce voyage existentiel propre à l'Être Humain.

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Related themes

Inspirè Par La NatureColorèToile Pour SalonPeiture Carrèe ExpressiveCrèation Emotionelle

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Wibaa started his artistic journey after he asked himself if he can do something creative. Will I be an artist? Although it seems to be a simple question, it is not because every question has different answers [...]

Wibaa started his artistic journey after he asked himself if he can do something creative.

Will I be an artist?

Although it seems to be a simple question, it is not because every question has different answers that affect each person differently.

One may paint for a more extended period just to realize how little they know about it.

He approaches the canvas without prejudices and with an open mind. The goal is not to create pictures and images as it is to resolve, crystallize form, colour, and mark into a cohesive totality of a rich experience. he is often befuddled throughout the painting process, trying to find his way out and feeling very much like a novice until that moment of clarity arrives. For a long time, his work has been resolved via the creation of a blighted landscape.

Beneath tectonic plates of hue and shape, spaces of colour and light resembling the mountains and oceans of his journeys open. Sometimes of his soul.

Painting has served as a bridge between his drawing, which is based on natural shapes, and his paintings, layered with colour and light. As is customary in his painting technique, these pictures are painting in various colours, their orientation often reversed, and combined with supplementary or repeated colour images to create depth and form interactions.

Painting has introduced him to new world, painting helps him to see himself inside, to express emotions, to relax, to find a moment to get away from reality.

His creative process comes from an idea, from an emotion and is reflected on his canvas.

He is self-taught.Wibaa approached painting by attending a course at MoMA in New York - In the Studio: Postwar Abstract Painting – He could learn about the materials, techniques, and approaches of seven New York School artists who made abstract paintings. The “New York School “including Willem de Kooning, Yayoi Kusama, Agnes Martin, Barnett Newman, Jackson Pollock, Ad Reinhardt, and Mark Rothko. Wibaa began to understand what a studio means and how ideas develop by looking closely at the paintings.

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