通过购买选项租赁Lee Campbell的作品“ Reve Rousse ”
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Lee Campbell is a British artist presently living and working in London who has studied art both in practice with a degree in Fine Art, and academically, graduating from the University of Kent with a MA in the History of Art.
British and New Zealand Inspirations
Most of my work is a combination of working on Eel Pie Island in the River Thames in London, where she has based her studio for the past 20 years, and growing up in New Zealand which has informed the colour and clarity of the landscape work, now diffused with the history and atmosphere of England.
I have worked consistently in oils using layers of glazes and scumbling to create a mystical take on reality. The 'Flurries Series' (forests with falling leaves) were based on a poem by Robert Graves called 'Outlaws' in which he wonders where old gods go when no one believes in them anymore. He suggests they live in a forest where they lie in 'webs of shade' and this image is evocatively captured by the paintings in this series.
Throughout my career I have placed myself in a series of unusual locations to source new subject matter, these have included residencies at a Space Research Lab., a church in Pimlico, 12C Dominican Priory, Royal Ballet School's site in Richmond Park, NPL in Teddington, where I created artwork using microscopes. Employed by Westminster Council, I was based in a canal house on Grosvenor Dock in Pimlico, which gave me a unique view of Battersea Power Station across the Thames from underneath the Embankment.
I welcome commissions and am seeking new residency opportunities.
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