Lease 画作 by Tatiana Karchevskaya

通过购买选项租赁Tatiana Karchevskaya的作品“ Etude With Roses ”

Tatiana Karchevskaya的画作可通过购买选项进行租赁

绘画 标题为“Etude with roses” 由Tatiana Karchevskaya, 原创艺术品, 油
Etude with roses (2016)
绘画 由 Tatiana Karchevskaya - 15.8x19.7 in
US$326.1

选择您的每月还款额:

每月付款
€27.27+增值税
剩余价值
€8.9+增值税
节税
€101.18+增值税
总成本
€262+增值税
每月付款
€15.91+增值税
剩余价值
€8.9+增值税
节税
€108.87+增值税
总成本
€282+增值税
每月付款
€11.02+增值税
剩余价值
€8.9+增值税
节税
€113.15+增值税
总成本
€292+增值税
每月付款
€8.81+增值税
剩余价值
€8.9+增值税
节税
€120.56+增值税
总成本
€311+增值税
* 这只是一个指示性模拟。我们的财务合作伙伴研究您的支持文件并验证您的文件后,将向您发送合同提案。

索取租赁信息 "Etude With Roses"

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常见问题

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

更多信息

Etude with roses (2016)
绘画 由 Tatiana Karchevskaya - 15.8x19.7 in
绘画 标题为“Etude with roses” 由Tatiana Karchevskaya, 原创艺术品, 油

关于作者

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Our world is beautiful, at least I see it that way. Beauty is everywhere, but still is not enough, more is needed. I feel that my mission is to bring beauty to this world, to multiply it. When I write my works,[...]

Our world is beautiful, at least I see it that way. Beauty is everywhere, but still is not enough, more is needed. I feel that my mission is to bring beauty to this world, to multiply it. When I write my works, I get great pleasure and satisfaction from the process. I create new worlds that are colorful, bright, and happy. I see sources of inspiration everywhere. Flowers and trees, animals, music, paintings of famous masters from the past, all this give me strength, mood, and energy to paint.

I am very impressed by the theme of ruinisation, I see a lot of beauty here and I want to show it to others. When I draw, for example, a rusty kettle, it is not just a frozen moment of life, the viewer can see a long period of time, from the creation of this kettle, the time when it served people, gathered family and guests for cozy tea parties in the evenings, then old age and death ... This is very similar to human life. And I want to show that aging also has its own beauty, its own charm.

In my work, I try to combine the classic and naive styles, with oil and acrylic paint on canvas and paper. Simplification of the plastic language of painting allows me to focus on the color scheme of the painting because I am a colorist and by education, I am an interior designer. Therefore, when I do my work, I immediately think about how it will look in the interior. And now I am working on a series of works, which I called "painting for a loft", I think the theme of ruinisation matches perfectly for this style. In this topic, I see a huge variety of perspectives and possibilities for my creativity.

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